James Macpherson Quotes

Why is not the original deposited in some public library, instead of exhibiting attestations of its existence? Suppose there were a question in a court of justice, whether a man be dead or alive. You aver he is alive, and you bring fifty witnesses to swear it. I answer, 'Why do you not produce the man?'

As roll a thousand waves to the rocks, so Swaran's host came on. As meets a rock a thousand waves, so Erin met Swaran of spears.

I look down from my height on nations
And they become ashes before me.

Often does the memory of former times come, like the evening sun, on my soul.

Then rose the strife of kings about the hill of night; but it was soft as two summer gales, shaking their light wings on a lake.

Hail, Carril of other times! Thy voice is like the harp in the halls of Tura.

I received your foolish and impudent letter. Any violence offered me I shall do my best to repel; and what I cannot do for myself, the law shall do for me. I hope I shall never be deterred from detecting what I think a cheat, by the menaces of a ruffian. What would you have me retract? I thought your book an imposture; I think it an imposture still. For this opinion I have given my reasons to the publick, which I here dare you to refute. Your rage I defy. Your abilities, since your Homer, are not so formidable; and what I hear of your morals, inclines me to pay regard not to what you shall say, but to what you shall prove. You may print this if you will.

Carthon, one of the poems, was translated into French as early as 1762 while the collected works followed suit in 1777. Diderot loved them. Voltaire parodied them. Ossianic plays, operas, and mimes were written. They influenced or attracted Mme. de Staël, Chateaubriand, Lamartine, Alfred de Vigny, Victor Hugo, and Alfred de Musset. Napoleon became a fervent admirer after he had read the poems in the Italian translation by Cesarotti.

The gloom of the battle roared.

Sorrow, like a cloud on the sun, shades the soul of Clessammor.

The groan of the people spread over the hills; it was like the thunder of night, when the cloud bursts on Cona; and a thousand ghosts shriek at once on the hollow wind.

Those who have doubted my veracity have paid a compliment to my genius.

Far before the rest, the son of Ossian comes; bright in the smiles of youth, fair as the first beams of the sun. His long hair waves on his back: his dark brows are half hid beneath his helmet of steel. His sword hangs loose on the hero's side. His spear glitters as he moves. I fled from his terrible eyes, King of high Temora!

I first read the poems in my early youth, with an ardent credulity that remained unshaken for many years of my life; and with a pleasure to which even the triumphant satisfaction of detecting the imposture is comparatively nothing. The enthusiasm with which I read and studied the poems, enabled me afterwards, when my suspicions were once awakened, to trace and expose the deception with greater success. Yet, notwithstanding the severity of minute criticism, I can still peruse them as a wild and wonderful assemblage of imitations, with which the fancy is often pleased and gratified, even when the judgment condemns them most.

The people bend before me. I turn the battle in the field of the brave. I look on the nations, and they vanish: my nostrils pour the blast of death. I come abroad on the winds: the tempests are before my face. But my dwelling is calm, above the clouds; the fields of my rest are pleasant.