French writer and philosopher (1924–2006)
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This is the message of critics not only in Europe, but also in the United States itself, where anti-Americanism continues to prosper among university, journalistic, and literary elites. But in Europe, these ideological reasons for blaming America first are multiplied by simple jealousy of American power. The current American "hyperpower" is the direct consequence of European powerlessness, both past and present. The United States fills a void caused by our inadequacies in capability, thinking, and will to act.
Shortly after 9/11 a French spokesman for the activist group ATTAC quoted the adage: "He who sows the wind shall reap the whirlwind." French prime minister Lionel Jospin seemed to be pointing in this direction when he asked, "What lesson are the Americans going to draw from what has happened?" The lesson, Jospin indicated, should be for the U.S. to moderate her unilateralism. For Cardinal Karl Lehmann, president of the German Bishops' Conference, the lesson to be drawn from terrorism was that "the West must not seek to dominate the rest of the world."
Poverty and inequality like this should cause Europeans to cringe in horror, especially since (we have it on good authority) there is no safety net in America, no unemployment benefits, no retirement, no assistance for the destitute--not the slightest bit of social solidarity. In the U.S. "only the most fortunate have the right to medical care and to grow old with dignity," as one writer recently put it in Libération. University courses are reserved only for those who can pay, which partly explains the "low level of education" in the benighted US.
The idea that a culture can preserve its originality by barricading itself against foreign influences is an old illusion that has always produced the opposite of the desired result. Isolation breeds sterility. It is the free circulation of cultural products and talents that allows each society to perpetuate and renew itself.
Similarly, societies where news is censored cannot enjoy the luxury of false objectivity because they do not have the true variety. In free civilizations, false objectivity must be fought by true objectivity, not by some alien bureaucracy. Prejudiced history is eliminated, or at least combated, by serious history, and corrupt journalism can only be defeated by honest journalism, not by a government commission whose first act may be to distribute some secret subsidies.
Not just songs by Madonna and action films starring Arnold Schwarzenegger; it includes 1,700 symphony orchestras, opera attended by 7.5 million people every year, and museums that are visited by 500 million annually, almost all American museums, where entrance is quite often free, owe their existence and funding to private sponsors.
As immigration trends suggest, anti-Americanism is not deeply rooted as a popular prejudice. In Europe, anti-Americanism is much more a hobgoblin of the political, cultural, and religious elites. According to a SOFRES survey of May 2000, only 10 percent of French feel dislike for the U.S. After September 11, according to another poll, 52 percent of French people interviewed said they had always felt warmly toward the U.S., against 32 percent who said the opposite. Historian Michel Winock concludes that "anti-Americanism is not an attitude of the average French person; it is typical of a certain segment of the elites."
The success and originality of American integration stem precisely from the fact that immigrants' descendants can perpetuate their ancestral cultures while thinking of themselves as Americans in the fullest sense, sharing basic ideals across racial and ethnic barriers. In France, the characteristic attitude of newcomers from North Africa, Turkey, and sub-Saharan Africa is predominantly one of alienation, confrontation, rejection, and hatred.