The success and originality of American integration stem precisely from the fact that immigrants' descendants can perpetuate their ancestral cultures while thinking of themselves as Americans in the fullest sense, sharing basic ideals across racial and ethnic barriers. In France, the characteristic attitude of newcomers from North Africa, Turkey, and sub-Saharan Africa is predominantly one of alienation, confrontation, rejection, and hatred.
French writer and philosopher (1924–2006)
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The idea that a culture can preserve its originality by barricading itself against foreign influences is an old illusion that has always produced the opposite of the desired result. Isolation breeds sterility. It is the free circulation of cultural products and talents that allows each society to perpetuate and renew itself.
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What picture of American society is likely to be imprinted on the consciousness of average Europeans? Given what they read or hear every day from intellectuals and politicians, they can hardly have any choice in the unpleasant particulars, especially if they happen to be French. The picture repeatedly sketched for them is as follows: American society is entirely ruled by money. No other value, whether familial, moral, religious, civic, cultural, professional, or ethical has any potency in itself. Everything in America is a commodity, regarded and used exclusively for its material value. A person is judged solely by the worth of his bank account. Every U.S. President has been in the pockets of the oil companies, the military-industrial complex, the agricultural lobby, or the financial manipulators of Wall Street. America is the "jungle" par excellence of out-of-control, "savage" capitalism, where the rich are always becoming richer and fewer, while the poor are becoming poorer and more numerous. Poverty is the dominant social reality in America. Hordes of famished indigents are everywhere, while luxurious chauffeured limousines with darkened windows glide through the urban wilderness.
Soon, many European elites insinuated that the jihadist attacks had some moral justification. These anti-American views began to circulate well before the campaign to dislodge the Taliban kicked off on October 7. The bombing which became the most frequently invoked reason to take sides against the U.S. had not yet even begun.
Not just songs by Madonna and action films starring Arnold Schwarzenegger; it includes 1,700 symphony orchestras, opera attended by 7.5 million people every year, and museums that are visited by 500 million annually, almost all American museums, where entrance is quite often free, owe their existence and funding to private sponsors.
As immigration trends suggest, anti-Americanism is not deeply rooted as a popular prejudice. In Europe, anti-Americanism is much more a hobgoblin of the political, cultural, and religious elites. According to a SOFRES survey of May 2000, only 10 percent of French feel dislike for the U.S. After September 11, according to another poll, 52 percent of French people interviewed said they had always felt warmly toward the U.S., against 32 percent who said the opposite. Historian Michel Winock concludes that "anti-Americanism is not an attitude of the average French person; it is typical of a certain segment of the elites."
Poverty and inequality like this should cause Europeans to cringe in horror, especially since (we have it on good authority) there is no safety net in America, no unemployment benefits, no retirement, no assistance for the destitute--not the slightest bit of social solidarity. In the U.S. "only the most fortunate have the right to medical care and to grow old with dignity," as one writer recently put it in Libération. University courses are reserved only for those who can pay, which partly explains the "low level of education" in the benighted US.