The idea that a culture can preserve its originality by barricading itself against foreign influences is an old illusion that has always produced the opposite of the desired result. Isolation breeds sterility. It is the free circulation of cultural products and talents that allows each society to perpetuate and renew itself.
French writer and philosopher (1924–2006)
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There is a big difference between being anti-American and being critical of the United States. Once again: critiques are appropriate and necessary, provided that they rest on facts and address real abuses, real errors and real excesses -- without deliberately losing sight of America's wise decisions, beneficent interventions and salutary policies. But critiques of this kind -- balanced, fair and well-founded are hard to find, except in America herself: in the daily press in weekly news magazines, on television and radio, and in highbrow monthly journals, which are more widely read than their equivalents in Europe.
The success and originality of American integration stem precisely from the fact that immigrants' descendants can perpetuate their ancestral cultures while thinking of themselves as Americans in the fullest sense, sharing basic ideals across racial and ethnic barriers. In France, the characteristic attitude of newcomers from North Africa, Turkey, and sub-Saharan Africa is predominantly one of alienation, confrontation, rejection, and hatred.
This is the message of critics not only in Europe, but also in the United States itself, where anti-Americanism continues to prosper among university, journalistic, and literary elites. But in Europe, these ideological reasons for blaming America first are multiplied by simple jealousy of American power. The current American "hyperpower" is the direct consequence of European powerlessness, both past and present. The United States fills a void caused by our inadequacies in capability, thinking, and will to act.
Not just songs by Madonna and action films starring Arnold Schwarzenegger; it includes 1,700 symphony orchestras, opera attended by 7.5 million people every year, and museums that are visited by 500 million annually, almost all American museums, where entrance is quite often free, owe their existence and funding to private sponsors.
Poverty and inequality like this should cause Europeans to cringe in horror, especially since (we have it on good authority) there is no safety net in America, no unemployment benefits, no retirement, no assistance for the destitute--not the slightest bit of social solidarity. In the U.S. "only the most fortunate have the right to medical care and to grow old with dignity," as one writer recently put it in Libération. University courses are reserved only for those who can pay, which partly explains the "low level of education" in the benighted US.
As immigration trends suggest, anti-Americanism is not deeply rooted as a popular prejudice. In Europe, anti-Americanism is much more a hobgoblin of the political, cultural, and religious elites. According to a SOFRES survey of May 2000, only 10 percent of French feel dislike for the U.S. After September 11, according to another poll, 52 percent of French people interviewed said they had always felt warmly toward the U.S., against 32 percent who said the opposite. Historian Michel Winock concludes that "anti-Americanism is not an attitude of the average French person; it is typical of a certain segment of the elites."