English writer
Jeanette Winterson (born 27 August 1959) is a British novelist.
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We didn't build our bridges simply to avoid walking on water. Nothing so obvious. A bridge is a meeting place. A neutral place. A casual place. Enemies will choose to meet on a bridge and end their quarrel in that void...For lovers, a bridge is a possibility, a metaphor of their chances. And for the traffic in whispered goods, where else but a bridge in the night? (p.57)
In the West, we avoid painful encounters with art by trivialising it, or by familiarising it. Our present obsession with the past has the double advantage of making new work seem raw and rough compared to the cosy patina of tradition, whilst refusing tradition its vital connection to what is happening now.
When was the last time you looked at anything, solely, and concentratedly, and for its own sake? Ordinary life passes in a near blur. If we go to the theatre or the cinema, the images before us change constantly, and there is the distraction of language. Our loved ones are so well known to us that there is no need to look at them, and one of the gentle jokes of married life is that we do not.
She thought of an article she had once seen on mind control. Apparently if there was a person fiendish enough to set about interfering with your life, the only thing you could do was to concentrate hard on someone they were unlikely ever to have heard of called Martin Amis. The particular blankness of this image was guaranteed to protect from any subtle force, but Gloria realised with a sinking heart that it was too late now.