A sense of social hierarchy prevented Mrs Munde from actually telling the lousy bastard to get out, so instead she began to think evil thoughts. She had once read an article on mind control, explaining that the best way to bend someone to your will was to think of a gooey mudlike substance called Cliff Richard and direct it at the object of your intent. Such were the marshmellow-suffocating properties of this image that the victim fell instantly into an undignified froth. Putty in your hands in fact. It didn't seem to work. The stranger was insensitive as well as intrusive. Mrs Munde gave it one last go till the kitchen air was thick with Cliff Richard. The stranger suddenly made a little squeaking noise and fell sideways.

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In a vacuum all photons travel at the same speed. They slow down when travelling through air or water or glass. Photons of different energies are slowed down at different rates. If Tolstoy had known this, would he have recognised the terrible untruth at the beginning of Anna Karenina? 'All happy families are alike; every unhappy family is unhappy in its own particular way.' In fact it's the other way around. Happiness is a specific. Misery is a generalisation. People usually know exactly why they are happy. They very rarely know why they are miserable.

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That night two lovers whispering under the lead canopy of the church were killed by their own passion. Their effusion of words, unable to escape through the Saturnian discipline of lead, so filled the spaces of the loft that the air was all driven away. The lovers suffocated, but when the sacristan opened the tiny door the worlds tumbled him over in their desire to be free, and were seen flying across the city in the shape of doves. (p.13)

I was a miracle in that I could have taken her out of her life and into a life she would have liked a lot. It never happened, but that doesn’t mean it wasn’t there to happen. All of that has been a brutal lesson to me in not overlooking or misunderstanding what is actually there, in your hands, now. We always think the thing we need to transform everything– the miracle– is elsewhere, but often it is right next to us. Sometimes it is us, ourselves. (p.31)

We didn't build our bridges simply to avoid walking on water. Nothing so obvious. A bridge is a meeting place. A neutral place. A casual place. Enemies will choose to meet on a bridge and end their quarrel in that void...For lovers, a bridge is a possibility, a metaphor of their chances. And for the traffic in whispered goods, where else but a bridge in the night? (p.57)