American actress
Jennifer Beals (born 19 December 1963) is an American actress who is known for her roles in The L Word, The Chicago Code, Flashdance and Devil in a Blue Dress. She is also an advocate for LGBT rights, women's issues and the environment.
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One of the things that the show did for me was bring up so many women’s issues and the notion that homophobia is a form of misogyny. The women’s community and the gay community are interrelated, whether you’re straight or not. It also made me realize how connected women are everywhere. Women who are gay are repressed in similar ways as women who are straight.
Now, at this time, I think there’s too many people who feel comfortable with hate speech. It’s become too commonplace, and acceptable. And it’s not okay, and we’ve got to change that…I think we also have to take responsibility for the words that come out of our mouths, because we are all connected. We are all part of one community.
I believe that people want to turn from fear towards hope, from divisiveness towards unity, from intolerance to an understanding that we all belong to one great community. Within all the chaos, within the despair, the not knowing, the anger, the anxiety, there is always the possibility for change. There is a seed of hope. And I'm not talking about a pie-in-the-sky kind of hope, but a kind of hope that calls on each and every one of us to stand up and be counted — a kind of hope that calls on each and every one of us to give the very best of ourselves — not just for our own benefit, but for the benefit of all of us, collectively.
All of us have an artist inside us. It's part of our DNA as human beings. We have all witnessed the power of the arts to deeply connect people, to open our minds to new ideas and express our innermost sacred selves. The imagination isn't just simply reserved for children. The imagination can be, for all of us, a very real gateway to joy, understanding, liberation and peace.
[On the importance of positive representations of LGBT people in the media] You know, I don't think it's helpful to anyone to... for example, say that every LGBT person is wonderful and perfect and without flaw, and lets all ring the bells to perfection. I think it's much more helpful to tell the story as truthfully as you can, and with all of its complications, because that's also when people recognize themselves, and that's when people who are not part of the LGBT community will recognize themselves within that character. And then [they] hopefully empathize and maybe there'll be some kind of shift.
It has been said, "History is written by the victors." I take this to mean we can make ourselves victorious by writing, and then rewriting our own stories. In a country and culture so dominated by media, by the manipulation of words and stories, telling the tales of people whose stories historically have not been told is a radical act and I believe an act that can change the world and help rewrite history.
With more mainstream filmmaking, the problem is who’s making the decisions. They’re not artists. The key creative decisions are being made by lawyers and accountants—that’s a very precarious situation. It’s precarious because it really does matter. Icons are being made and manufactured. People say it’s just a movie—but it’s not.
[On how she goes about trying to live authentically] Well really listening to my point of view and if I am on a set, say, that doesn't really value a woman's point of view, regardless of how they feel, continuing to give my point of view and try to find a way to be heard and not diminishing myself because other people are diminishing me. Because that, I think, is the worst temptation — that, you know, you judge yourself by how others are judging you, and to fall into that trap is to walk into the realm of self-annihilation.