Jerome K. Jerome Quotes

There have been a good many funny things said and written about hardupishness, but the reality is not funny, for all that. It is not funny to have to haggle over pennies. It isn't funny to be thought mean and stingy. It isn't funny to be shabby and to be ashamed of your address. No, there is nothing at all funny in poverty — to the poor.

I don't believe any man ever existed without vanity, and if he did he would be an extremely uncomfortable person to have anything to do with. He would, of course, be a very good man, and we should respect him very much. He would be a very admirable man—a man to be put under a glass case and shown round as a specimen—a man to be stuck upon a pedestal and copied, like a school exercise—a man to be reverenced, but not a man to be loved, not a human brother whose hand we should care to grip. Angels may be very excellent sort of folk in their way, but we, poor mortals, in our present state, would probably find them precious slow company. Even mere good people are rather depressing. It is in our faults and failings, not in our virtues, that we touch one another and find sympathy. We differ widely enough in our nobler qualities. It is in our follies that we are at one.

It is not the actual discomforts themselves that are hard to bear. Who would mind roughing it a bit if that were all it meant? What cared Robinson Crusoe for a patch on his trousers? Did he wear trousers? I forget; or did he go about as he does in the pantomimes? What did it matter to him if his toes did stick out of his boots? and what if his umbrella was a cotton one, so long as it kept the rain off? His shabbiness did not trouble him; there was none of his friends round about to sneer him. Being poor is a mere trifle. It is being known to be poor that is the sting.

No, there is nothing at all funny in poverty—to the poor. It is hell upon earth to a sensitive man; and many a brave gentleman who would have faced the labors of Hercules has had his heart broken by its petty miseries.

Tears are as sweet as laughter to some natures.

And how madly we did worship! And how sweet it was to worship! Ah, lad, cherish love's young dream while it lasts! You will know too soon how truly little Tom Moore sang when he said that there was nothing half so sweet in life. Even when it brings misery it is a wild, romantic misery, all unlike the dull, worldly pain of after-sorrows. When you have lost her—when the light is gone out from your life and the world stretches before you a long, dark horror, even then a half-enchantment mingles with your despair.

It is well, dear ladies, for us old sinners that you study only books. Did you read mankind, you would know that the lad's shy stammering tells a truer tale than our bold eloquence. A boy's love comes from a full heart; a man's is more often the result of a full stomach. Indeed, a man's sluggish current may not be called love, compared with the rushing fountain that wells up when a boy's heart is struck with the heavenly rod. If you would taste love, drink of the pure stream that youth pours out at your feet. Do not wait till it has become a muddy river before you stoop to catch its waves.

We take all things in a minor key as we grow older. There are few majestic passages in the later acts of life's opera. Ambition takes a less ambitious aim. Honor becomes more reasonable and conveniently adapts itself to circumstances. And love—love dies. "Irreverence for the dreams of youth" soon creeps like a killing frost upon our hearts. The tender shoots and the expanding flowers are nipped and withered, and of a vine that yearned to stretch its tendrils round the world there is left but a sapless stump

We do not hate, nor grieve, nor joy, nor despair in our thirties like we did in our teens. Disappointment does not suggest suicide, and we quaff success without intoxication.

Poor little Angelina, too, sheds silent tears, for Edwin has given up carrying her old handkerchief in the inside pocket of his waistcoat. Both are astonished at the falling off in the other one, but neither sees their own change. If they did they would not suffer as they do. They would look for the cause in the right quarter—in the littleness of poor human nature—join hands over their common failing, and start building their house anew on a more earthly and enduring foundation. But we are so blind to our own shortcomings, so wide awake to those of others. Everything that happens to us is always the other person's fault. Angelina would have gone on loving Edwin forever and ever and ever if only Edwin had not grown so strange and different. Edwin would have adored Angelina through eternity if Angelina had only remained the same as when he first adored her. It is a cheerless hour for you both when the lamp of love has gone out and the fire of affection is not yet lit, and you have to grope about in the cold, raw dawn of life to kindle it. God grant it catches light before the day is too far spent. Many sit shivering by the dead coals till night come.

I am afraid, dear Edwin and Angelina, you expect too much from love. You think there is enough of your little hearts to feed this fierce, devouring passion for all your long lives. Ah, young folk! don't rely too much upon that unsteady flicker. It will dwindle and dwindle as the months roll on, and there is no replenishing the fuel. You will watch it die out in anger and disappointment. To each it will seem that it is the other who is growing colder. Edwin sees with bitterness that Angelina no longer runs to the gate to meet him, all smiles and blushes; and when he has a cough now she doesn't begin to cry and, putting her arms round his neck, say that she cannot live without him. The most she will probably do is to suggest a lozenge, and even that in a tone implying that it is the noise more than anything else she is anxious to get rid of.

Love is too pure a light to burn long among the noisome gases that we breathe, but before it is choked out we may use it as a torch to ignite the cozy fire of affection.

When a twelfth-century youth fell in love he did not take three paces backward, gaze into her eyes, and tell her she was too beautiful to live. He said he would step outside and see about it. And if, when he got out, he met a man and broke his head—the other man's head, I mean—then that proved that his—the first fellow's—girl was a pretty girl. But if the other fellow broke his head—not his own, you know, but the other fellow's—the other fellow to the second fellow, that is, because of course the other fellow would only be the other fellow to him, not the first fellow who—well, if he broke his head, then his girl—not the other fellow's, but the fellow who was the—Look here, if A broke B's head, then A's girl was a pretty girl; but if B broke A's head, then A's girl wasn't a pretty girl, but B's girl was. That was their method of conducting art criticism.

Our trouble is sore indeed when you turn away and will not comfort us. How long the dawn seems coming when we cannot sleep! Oh! those hideous nights when we toss and turn in fever and pain, when we lie, like living men among the dead, staring out into the dark hours that drift so slowly between us and the light. And oh! those still more hideous nights when we sit by another in pain, when the low fire startles us every now and then with a falling cinder, and the tick of the clock seems a hammer beating out the life that we are watching.

A boy's love comes from a full heart; a man's is more often the result of a full stomach. Indeed, a man's sluggish current may not be called love, compared with the rushing fountain that wells up when a boy's heart is struck with the heavenly rod. If you would taste love, drink of the pure stream that youth pours out at your feet. Do not wait till it has become a muddy river before you stoop to catch its waves.