At the same time, art cannot be understood in terms of purpose. As the sculptor Charles Ray has said, art is “for absolutely nothing.” To make, or experience, art is to enter a kind of free zone; it slows us down, places us in some epistemological estuary, takes us into the wild. We make art from our flaws, fragilities, perversities, from our need to communicate or be entertained or stave off death, to create our own mating dances, to deliver our own children, to mourn. Art is bigger than mere subject matter. It is as big as life.
American art historian (born 1951)
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Its visionaries are driven by a new and very different set of values. This work reminds us that the contemporary museum, long revered as an elite sanctuary, now beckons as a new commons: a town square, a venue for community building, even an agent of change. A major factor in this is the influence of social media — especially Instagram — with its effect of sidestepping gatekeepers and fostering ardent fandom, debate, cross-pollination, societal change, and a new kind of citizenship. The result has been a great opening, a time of schism and volatility, a feeling of dams bursting everywhere. Everyone felt they had a stake in whatever the future might hold. The art of these decades has shown us that the world didn’t begin long ago, but rather that each of us creates the world anew every day.