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Its visionaries are driven by a new and very different set of values. This work reminds us that the contemporary museum, long revered as an elite sanctuary, now beckons as a new commons: a town square, a venue for community building, even an agent of change. A major factor in this is the influence of social media — especially Instagram — with its effect of sidestepping gatekeepers and fostering ardent fandom, debate, cross-pollination, societal change, and a new kind of citizenship. The result has been a great opening, a time of schism and volatility, a feeling of dams bursting everywhere. Everyone felt they had a stake in whatever the future might hold. The art of these decades has shown us that the world didn’t begin long ago, but rather that each of us creates the world anew every day.

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I think it's necessary. The world creates things up out of prayers that people pray and have. Things begin to move accordingly to how we all collectively think. When you see collectives moving on something you know that there's going to be some kind of mass migration to a higher place, and I see that in the world as a whole, not just in America. I see it all over the globe. People are organizing and fusing together to make change, and it's inspiring. I think it's part of the natural order of things. We're evolving, and what helps us evolve is social media. Social media is social evolution. It's sparking a great change.

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How lasting the impact of social media will have is yet to be determined, but one thing for sure, it has turned the chain of influence upside down. Today the reader, the lowly reader, that presumably passive consumer of all the great insight handed down by the reporter, confirmed by the analyst, attested to by the reference customer—this reader, I say, has now become the writer! Except it is not a reader/writer. It is reader/writers at large, many readers, the wisdom (or madness) of crowds. We have embarked upon the world's largest and longest cocktail party, and every issue imaginable is up for grabs.

Social media makes photography available to the world so quickly that immediacy has become more important than quality. Not many people appreciate the quality that comes with experience and most are happy with seeing something now. Consumption makes it all come and go very fast, so there’s no need to elevate things.

I do like social medias because of the instant feedback and interaction. I try to keep fans up to date with what I’m doing and try to show them who I am and what I’m passionate about. I also follow a lot of artists myself because I like learning more about the people I respect.

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Suddenly we are no longer prisoners of the never-ending present in our social media feeds. We are part of a long and complex collective story, one in which human beings are not one set of attributes, fixed and unchanging, but rather, a work in progress, capable of deep change. By looking decades backward and forward simultaneously, we are no longer alone as we confront our weighty historical moment. We are surrounded both by ancestors whispering that we can do what our moment demands just as they did, and by future generations shouting that they deserve nothing less. (from "The Art of the Green New Deal")

... Museums are managers of consciousness. They give us an interpretation of history, of how to view the world and locate ourselves in it. They are, if you want to put it in positive terms, great educational institutions. If you want to put it in negative terms, they are propaganda machines. They're both. This is something usually not acknowledged and there's probably a good reason why: because if this were in one's consciousness, then one would be a bit more immune to brainwashing — assuming brainwashing is the intent.

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