Jerry Seinfeld Quotes

The sad truth is, people are only interested in themselves. So, if you just ask them what they are doing or what’s going on or how they feel, they generally go on for hours.

I think the best Seinfeld episode idea I ever contributed was that George pretending to be a marine biologist would find Kramer's golf ball in the blowhole of the whale. Believe it or not, we were doing both of those stories without seeing any connection that Kramer was gonna hit golf balls at the beach, and George was gonna be pretending to be a marine biologist. And it was in the middle of the week that it suddenly hit me of a way to connect the two stories.

"Funniest" is completely personal. Whoever you think is funniest, is funniest.

I did swear a little bit in the beginning [of my stand-up career] and then I didn't like how easy it was. It felt like cheating, so I stopped.

I actually have quite a bit of [the Seinfeld set], and we're looking for a museum that wants to display it. I have the couch, I have the two blue stools, I have the table and chairs; the coolest thing I have is the door, which we never repainted in nine seasons. It has every scuff mark that Kramer put on it with all those crazy entrances.

I don't do movies because I think generally the size of that content does not lend itself to great comedy; it lends itself to people saying, "Hey, I made a movie." To me, the funniest things are shorter, so I think TV series or comedians in cars, I think I have a better chance of making you laugh.

I believe in detailed notes and jokes, and also winging it onstage. But, not for your first open mic. For your first open mic, my advice to you would be to make sure you have what you're gonna do memorized, to the point that one of your friends can gently slap you across the face, and you'll still be able to get it out of your mouth.

I do have a bucket list. And I looked at the list, and then, I decided to turn the B [into] an F, and I was done with it.

Comedy is a bit of a masochistic pursuit. If you don't have a masochistic streak, I don't think you can succeed at it, 'cause so much of it is painful. You have to kind of like it, in a sick way: y'know, that this really hurts.

I had an episode [of Seinfeld] all ready to go that we were gonna do entirely -- secretly -- in claymation. And I had the studio ready, and the figures ready, and it was all good to go; and then, someone said "Y'know, Tim Allen did an animation thing", or something, "on Home Improvement last season." And I go "What? What kind of thing was it?" And I never saw it; I didn't know what it was. And I got scared off; and I thought "I don't want people to say I'm imitating Tim Allen." And I cancelled it; and I realize now that was a huge mistake.

There's absolutely no difference between the greatest painting ever made and a joke. It's just something someone invented that someone else likes! That's art. And it has no reason to exist, except its own virtue.

Audiences love to hear about something very stupid. Y'know? But I impose kind of an-- a very rigorous intellect to it. It's kind of philosophical, that joke about the-- y'know, "If it was really donut holes, the bag would be empty."

I'm a little compulsive-- a compulsive tinkerer. Y'know? I love to just "Well, let's try this, and maybe shrink that section a little bit." I mean, that's what stand-up is, is constantly moving the accordion to different sizes.

The Internet is the most brutal medium for attention span. The distance from your finger to that "off" -- or "stop" -- is-- it's-- you're holding it right there, while you're watching the thing!

What I am good at -- and what every comedian is good at -- is knowing how to carefully manage an audience's attention span.