The world he saw on the news came to seem like a genre-fusing farce, its story lines ever less plausible, ever more dispiriting. The world of the chamber, by contrast, was all impressionist masterworks, images and plotlines manifestly finer and more nourishing than what, of late, was passing for the real.

He knew factories. No one had fun in factories. They sweltered and slaved, hunched and harried, people reduced to things, manufacturing so much meaningless plastic shit that made no one happy, poisoned the oceans, corrupted the food chain.
The modern world was a burning bus speeding toward a cliff with a maniac at the wheel. And he was not apart, but complicit, a hyperactive child making yuk-yuks in his seat, keeping everyone laughing, distracting them from certain doom.

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The American citizen is so lost he doesn't realize he's a factory pig. Drugged and poisoned from the cradle to the grave. Chained to impossible debts. Never ever free. Liberty? Bah! This is a land of invisible fences, we're all prisoners watching Capra on movie night. But nothing lasts forever. Europe's monarchies sent their sons to die in the trenches of the Somme just as surely as we drove Chiang Kei-shek into the sea. You think America will be different? You think this era, one not of consumption but of gluttony, will last forever? It will not...

I wanted to be Arcade in a fourth X-Men movie but the prequels ruined the franchise so I became Dr. Eggman in a Sonic movie where James Marsden, the actor who played Cyclops, is the best friend of the protagonist who is a fast little animal like Wolverine.

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