Scottish literature begins effectively with Archdeacon Barbour's Bruce some sixty years after Bannockburn, and to the Bruce and Blind Harry's Wallace (so staunch is the Scot, and such an antiquary in grain) must be attributed much of the colouring and subsequent tone of Scottish sentiment. The Bruce is the better poem, simple, truthful, noble, stirring, a proper start for the literature of a fighting people.

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Perhaps the editor may be accused of nationality, when he says, that, taking the total merits of this work together, he prefers it to the early exertions of even the Italian muse, to the melancholy sublimity of Dante, and the amorous quaintness of Petrarca…Here indeed the reader will find few of the graces of fine poetry, little of the attic dress of the muse; but here are life and spirit, and ease and plain sense, and pictures of real manners, and perpetual incident and entertainment. The language is remarkably good for the time, and far superior in neatness and elegance even to that of Gawin Douglass, who wrote more than a century after.

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Na he that ay has levyt fre
May nocht knaw weill the propyrte
The angyr na the wrechyt dome
That is couplyt to foule thyrldome,
Bot gyff he had assayit it.
Than all perquer he suld it wyt,
And suld think fredome mar to prys
Than all the gold in warld that is.