He is the first of our writers whose style is cloathed with that perspicuity, in which the English phraseology appears at this day to an English reader…Whether his subject be the life of a hermit or a hero, of saint Austin or Guy earl of Warwick, ludicrous or legendary, religious or romantic, a history or an allegory, he writes with facility.

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A prowde hert in a beggers brest,
A fowle visage with gay temples of atyre,
Horrible othes with an holy prist,
A justice of juges to selle and lete to hyre,
A knave to comande and have an empire,
To yeve a jugement of that never was wrought,
To preche of pees and sette eche man on fyre,
It may wele ryme but it accordith nought.

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In images of horror, and in a certain terrible greatness, our author comes far behind Chaucer. Whether they were not suited to the genius or the temper of Lydgate, I do not determine; but it is certain that, though they naturally seemed to present themselves, he has almost generally chose to avoid them: yet is there frequently a stiller kind of majesty both in his thought and expression, which makes one of his principal beauties.