He is the first of our writers whose style is cloathed with that perspicuity, in which the English phraseology appears at this day to an English reader…Whether his subject be the life of a hermit or a hero, of saint Austin or Guy earl of Warwick, ludicrous or legendary, religious or romantic, a history or an allegory, he writes with facility.

In images of horror, and in a certain terrible greatness, our author comes far behind Chaucer. Whether they were not suited to the genius or the temper of Lydgate, I do not determine; but it is certain that, though they naturally seemed to present themselves, he has almost generally chose to avoid them: yet is there frequently a stiller kind of majesty both in his thought and expression, which makes one of his principal beauties.

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For he owre englishe gilte with his sawes,
Rude and boistous firste be olde dawes,
That was ful fer from al perfeccioun
And but of litel reputacioun
Til that he cam, and thorugh his poetrie,
Gan oure tonge firste to magnifie
And adourne it with his eloquence:
To whom honour, laude and reuerence.