...we have a right to narrow down our universe ever further and further; until like the world of the Iliad and the Odyssey it is made up of certain simple endurances, enjoyments, mental and physical struggles, surrounded by the washing of the sea, the blowing of the wind, the swaying of the wheat, the falling of the rain, the voyaging of the clouds, and the motions of the sun and moon and dawn and twilight.

Every human creature is a terror to every other human creature. Human minds are like unknown planets, encountering and colliding. Every one of them contains jagged precipices, splintered rock-peaks, ghastly crevasses, smouldering volcanoes, scorched and scorching deserts, blistering sands, evil dungeons from behind whose barred windows mad and terrible faces peer out. Every pair of human eyes is a custom-house gate into a completely foreign port; a port whose palaces and slums, whose insane asylums and hospitals, whose market-places and sacred shrines represent the terrifying and the menacing as well as the promising and the pleasure-giving! But when once any small group of persons has been together for any reasonable length of time the official warders of these custom-house gates are withdrawn. Each individual in such a group feels he can wander freely through the purlieus of these other enclosed fortresses! He does not necessarily move a step. The point is that the gates into the unknown streets no longer bristle with bayonets, are no longer thronged with “dreadful faces” and “fiery arms.

"But this was only the first "move", so to speak, in Sir Mort's intercourse with the cosmic multiplicity. The next thing this crazy owner of Roque must needs do was to pull himself out of the hole into which he had descended with such persistence and proceed to shoot himself through the air! On this air-borne quest he was careful to avoid every conceivable collision. He avoided the Moon and he avoided every planet. He avoided all the falling stars."

If only he knew that there were a God, who for one second had an ear open, what things he would pour into that gaping, hairy, stupid orifice. In the old days their gods made them sacrifice their enemies to propitiate the great pain-engine.

"Perhaps I've never known reality as other human beings know it,' he thought. 'My life has been industrious, monotonous, patient. I've carried my load like a camel. And I've been able to do this because it hasn't been my real life at all! My "mythology" has been my real life.' The"

If only — so he thought to himself later — Gerda's face had been a little less flawless in its beauty, the beauty of her body would have remained as maddening to his senses as it was at the beginning. But the more he had seen of her the more beautiful her face had grown; until it had now reached that magical level of loveliness which absorbs with a kind of absoluteness the whole aesthetic sense, paralysing the erotic sensibility.

Their feelings! When, at this very moment in China, in India, in New York, in Berlin, in Vienna — Good God! . . . their feelings! When, at this moment, if all the pain in the world caused by this accursed personal life, by this accursed individual life were to rise up in one terrific cry . . . it would — —

...a broad-shouldered, rather fleshy individual, without any hat, whose grizzled head under that suspended light seemed to Sam the largest human head he had ever seen. It was the head of a hydrocephalic dwarf; but in other respects its owner was not dwarfish. In other respects its owner had the normally plump, rather unpleasantly plump figure of any well-to-do-man, whose back has never been bent nor his muscles hardened by the diurnal heroism of manual labour.

If by the time we're sixty we haven't learned what a knot of paradox and contradiction life is, and how exquisitely the good and the bad are mingled in every action we take, and what a compromising hostess Our Lady of Truth is, we haven't grown old to much purpose.