Within the grip of winter, it is almost impossible to imagine the spring. The gray perished landscape is shorn of color. Only bleakness meets the eye; everything seems severe and edged. Winter is the oldest season; it has some quality of the absolute. Yet beneath the surface of winter, the miracle of spring is already in preparation; the cold is relenting; seeds are wakening up. Colors are beginning to imagine how they will return. Then, imperceptibly, somewhere one bug opens and the symphony of renewal is no longer reversible. From the black heart of winter a miraculous, breathing plenitude of color emerges.
The beauty of nature insists on taking its time. Everything is prepared. Nothing is rushed. The rhythm of emergence is a gradual slow beat always inching its way forward; change remains faithful to itself until the new unfolds in the full confidence of true arrival. Because nothing is abrupt, the beginning of spring nearly always catches us unawares. It is there before we see it; and then we can look nowhere without seeing it.
Irish writer, priest and philosopher (1956–2008)
John O'Donohue (1 January 1956 – 4 January 2008) was an Irish poet, author, priest, and Hegelian philosopher. He was a native Irish speaker, and as an author is best known for popularising Celtic spirituality, especially from his book Anam Cara.
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"This earth is the only constant in our lives. It has been here for millions of years before us. It was his gift to unearth its riches; that this "human-come-lately" is but the latest link in the chain of evolution.
We must become aware of our present stage of "becoming" and to do this we need to look back at our history."
"The interplay between farmers and the elements was a poem without words, the echo which would always return to him.
The air could hold the "breeze of the rain" or the "wind of warmth" to the discerning nose.
The stone carved its memory deep into the hands that chiseled it.
Fire was life in the hearth which was the center of home.
Water introduced itself to us from its most natural source in streams and wells."
I love mountains. I feel that mountains are huge contemplatives. They are there and they are in the presence up to their necks and they are still in it and with it and within it. One of the lovely ways to pray is to take your body out into the landscape and to be still in it. Your body is made out of clay, so your body is actually a miniature landscape that has got up from the earth and now walking on the normal landscape.
The earth is our origin and destination. The ancient rhythms of the earth have insinuated themselves into the rhythms of the human heart. The earth is not outside us; it is within: the clay from where the tree of the body grows. When we emerge from our offices, rooms and houses, we enter our natural element. We are children of the earth: people to whom the outdoors is home. Nothing can separate us from the vigour and vibrancy of this inheritance. In contrast to our frenetic, saturated lives, the earth offers a calming stillness. Movement and growth in nature takes time. The patience of nature enjoys the ease of trust and hope. There is something in our clay nature that needs to continually experience this ancient, outer ease of the world. It helps us remember who we are and why we are here.
breakthroughs in the evolution of human consciousness will be the recognition of the subtle complexity and the hidden inner world that animals carry around with them. The innocence and silence of the animal world has a huge subtlety to it that is anything but dumb, but rather notices everything and is present in everything. Animals carry a huge ministry of witness to the silence of time and to the depth of nature. They are like the landscape in a sense: they live too in the mode of silence.