College is a rip-off, the professors are teaching you stuff because they’re getting paid to do it, not because it does you any good. They don’t give a fuck about geography or whatever any more than you do. It’s all phony, they’re there because parents don’t want their kids around the house past a certain age and sending them to college makes them look good. ‘My little Johnny’s at Haavahd.’

On being conscious of being a writer:
As soon as one is aware of being “somebody,” to be watched and listened to with extra interest, input ceases, and the performer goes blind and deaf in his overanimation. [...] Most of the best fiction is written out of early impressions, taken in before the writer became conscious of himself as a writer. The best seeing is done by the hunted and the hunter, the vulnerable and the hungry; the “successful” writer acquires a film over his eyes. His eyes get fat. Self-importance is a thickened, occluding form of self-consciousness. The binge, the fling, the trip – all attempt to shake the film and get back under the dinning-room table, with a child’s beautifully clear eyes.

Man is an animal, but a social animal. Society for its manifold blessings asks in exchange sacrifice and compromise. Concession is the world's walking gait. Fevers and hallucinations sweep over us, it is true; but be they permitted to infect the public body, slaughter shall result. Government is either organized benevolence or organized madness; its peculiar magnitude permits no shading.

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You have a life and there are these volumes on either side that go unvisited; some day soon as the world winds he will lie beneath what he now stands on, dead as those insects whose sound he no longer hears, and the grass will go on growing, wild and blind.

"Still, my fascination with Buchanan did not abate, nor was I able, as the Seventies set in, to move the novel forward through the constant pastiche and basic fakery of any fiction not fed by the springs of memory — what Henry James calls (in a letter to Sarah Orne Jewett) the "fatal cheapness [and] mere escamotage" of the "'historic' novel.

They were beautiful books, sometimes very thick, sometimes very thin, always typographically exhilarating, with their welter of title pages, subheads, epigraphs, emphatic italics, italicized catchwords taken from German philosophy and too subtle for translation, translator's prefaces and footnotes, and Kierkegaard's own endless footnotes, blanketing pages at a time as, crippled, agonized by distinctions, he scribbled on and on, heaping irony on irony, curse on curse, gnashing, sneering, praising Jehovah in the privacy of his empty home in Copenhagen.