Mingus Rude, Arthur Lomb, Gabriel Stern and Tim Vandertooth, even Aaron K. Doily: Dylan never met anyone who wasn't about to change immediately into someone else. His was a special talent for encountering persons about to shed one identity or disguise for another. He took it in stride by now.

A shadow strolled past the car, indifferent to our curbside melodrama. This was my second time imperiled in a a parked vehicle in the space of three hours. I wondered what goonish spectacles I'd overlooked in my own career as a pavement walker.

I turned myself into a vinyl hawk, scouring record shops for out-of-print LPs, studying them with Talmudic intensity. The music I loved would all be dug out of studio archives and put onto CD within a few years, but then it was still scratchy and moldy and entirely my own.

Relax,' she said. 'There's nothing wrong with a slow, awkward beginning. The text for the whole relationship, the sustaining mythos, is built in the first few encounters. The whirl of emotions, the push and pull. So the more of this kind of material we generate, the better.

This is a dystopia, but also a post-apocalypse. The dystopia survived the apocalypse, nobody can get their head around it — too bad! You can do post-apocalypse things, survivalist stuff, rationing, killing, new tribalism, but you can also go the dystopia route, struggle against the decadent lords and masters, smash the seductive machine that’s controlling your head. Just because you’re crazy doesn’t mean you’re not also stupid, and neither precludes the possibility that you’ve got your boot on the neck of someone even worse off.