Joyce Carol Oates Quotes

"Ohhhhh."

A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed.

She's not thinking such a thought! Not her.

She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath.

"Oh! Ohhhhh."

It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shav

The denial of language is a suicidal one and we pay for it with our own lives.

The novel is perhaps the highest art form because it so closely resembles life: it is about human relationships. It's technique, page by page, resembles our technique of living day by day — a way of relating.

I'm sure all that you've heard is just the usual gossip, invented to injure feelings rather than illuminate truth.

Reading is the sole means by which we slip, involuntarily, often helplessly, into another’s skin, another’s voice, another’s soul.

Your punishment if you're a woman. Not loved enough.

There was a Greek philosopher who taught that, of all things, not to have been born is the sweetest state. But I believe sleep is the sweetest state. You're dead, yet alive. There's no sensation so exquisite.

Was it confusing because it was artistic, or artistic because it was confusing?

You don't have to understand why anything that has happened nor do you even have to understand what it is that has happened. You have only to live with the remains.

I can entertain the proposition that life is a metaphor for boxing-for one of those bouts that go on and on, round following round, jabs, missed punches, clinches, nothing determined, again the bell and again and you and your opponent so evenly matched it’s impossible to see your opponent is you …

How crucial for us to rehearse the future, in words.

Never to doubt that you will live to utter them.

Never to doubt that you will tell your story.

I'm nobody's daughter now. I'm through with that.

When you discover yourself lying on the ground, limp and unresisting, head in the dirt, and helpless, the earth seems to shift forward as a presence; hard, emphatic, not mere surface but a genuine force — there is no other word for it but presence. To keep in motion is to keep in time and to be stopped, stilled, is to be abruptly out of time, in another time-dimension perhaps, an alien one, where human language has no resonance. Nothing to be said about it expresses it, nothing touches it, it’s an absolute against which nothing human can be measured…Moving through space and time by way of your own volition you inhabit an interior consciousness, a hallucinatory consciousness, it might be said, so long as breath, heartbeat, the body’s autonomy hold; when motion is stopped you are jarred out of it. The interior is invaded by the exterior. The outside wants to come in, and only the self’s fragile membrane prevents it.

...failure is a human condition, not victory over odds; for each Hellen Keller who triumphs, there are tens of millions who fail, mute and deaf and insensate as vegetables tossed upon a vast garbage pile to rot.

Writing! The activity for which the only adequate bribe is the possibility of suicide, one day.