The anateur works until they get something right. The professional works until they can't go wrong.

suddenly remembered that when I portrayed Eliza Doolittle in My Fair Lady on Broadway, I unconsciously toed-in, giving the flower girl a slightly pigeon-toed lack of grace in her clumsy boots, then I straightened my feet when she acquired confidence and poise as a “lady.” It made me smile to think I was doing the exact opposite for Mary Poppins.

"A rose lay open in full bloom
and, looking from my garden room,
I watched the sun-baked flower fill with rain.
It seemed so fragile,
resting there,
and such a silence filled the air,
the beauty of the moment caused me pain.
"What more?" I thought. "There must be more."
As if in answer then, I saw
one weighty drop that caused my rose to fall.
It trembled, then cascaded down
to earth just staining gentle brown
and, since then, I've felt different.
That's all."

I certainly wouldn't compare the rewards of watching one's children grow and mature with that of money piling up at the box office. Both are pleasant, but to varying degrees. As the old saying goes, you can't take an audience home with you. You can't depend on the loyalty of fans, who, after all is said and done, are just faceless people one seldom sees. And few stars have their fans forever. But a child is forever. That bond and relationship is timeless and doesn't depend on your looks, age or popularity at the moment.

I think of part of myself as a very passionate person, but I don't think that comes across. I don't know where it comes from, that reserve or veneer of British niceness. But it doesn't bother me if other people don't spot the passion. I know it's there... As long as Blake knows.

Perseverance is failing 19 times and succeeding the 20th time.

Perseverance is failing 19 times and succeeding the 20th.