28 Quotes Tagged: acting

[About his pivot from George Washington University to New York University.] Then based solely on Shari's (a friend of a girlfriend) playful provocation, I auditioned for the theater program at NYU. ... This was an idiotic idea, all things considered. When I eventually pitched it to my parents on the phone, my mother shrieked what a mistake I was making. My dad just listened. ... {H]e said to my mother, 'Let's here him out.' I knew something other than money was behind that. Here was a man who had short-circuited his own dreams in order to provide for his family. 'You'll never be young enough to do this again,' he said.

Do not recite words just to prove to yourself and others that you know and love God; for he already put his breath and light inside you. Instead, put truth in your every word and action, and always let your conscience steer and guide you.

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The theatre is an attack on mankind carried on by magic: to victimize an audience every night, to make them laugh and cry and suffer and miss their trains. Of course actors regard audiences as enemies, to be deceived, drugged, incarcerated, stupefied. This is partly because the audience is also a court against which there is no appeal.

Once in a while I experience an emotion onstage that is so gut-wrenching, so heart-stopping, that I could weep with gratitude and joy. The feeling catches and magnifies so rapidly that it threatens to engulf me.

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He completely lacked any ardent interest that might have occupied his mind. His interior life was impoverished, had undergone a deterioration so severe that it was like the almost constant burden of some vague grief. And bound up with it all was an implacable sense of personal duty and the grim determination to present himself at his best, to conceal his frailties by any means possible, and to keep up appearances. It had all contributed to making his existence what it was: artificial, self-conscious, and forced — until every word, every gesture, the slightest deed in the presence of others had become a taxing and grueling part in a play.

There is a perfect rout of characters in every man — and every man is like an actor’s trunk, full of strange creatures, new & old. But an actor and his trunk are two different things

Grief and rage — you need to contain that, to put a frame around it, where it can play itself out without you or your kin having to die. There is a theory that watching unbearable stories about other people lost in grief and rage is good for you — may cleanse you of your darkness. Do you want to go down to the pits of yourself all alone? Not much. What if an actor could do it for you? Isn't that why they are called actors? They act for you. You sacrifice them to action. And this sacrifice is a mode of deepest intimacy of you with your own life. Within it you watch [yourself] act out the present or possible organization of your nature. You can be aware of your own awareness of this nature as you never are at the moment of experience. The actor, by reiterating you, sacrifices a moment of his own life in order to give you a story of yours.

Acting is a question of absorbing other people's personalities and adding some of your own experience.