American actor (born 1958)
Alexander Rae "Alec" Baldwin III (born April 3, 1958) is an American actor, film producer and comedian who has appeared on film, stage and television. As a member of the Baldwin family, he is the oldest of the four Baldwin brothers, all well-known actors.
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[Tennessee] William's writing has the effect that all great writing has on an actor. It steadies you. It emboldens you You ride an elevator to the top floor of a building, you jump off the penthouse balcony, and you fly. Just put one foot in front of the other, one line after the other, one moment after the other, and you are walking on air. It was the creative experience of a lifetime. (playing Stanley in Streetcar Named Desire)
[About his pivot from George Washington University to New York University.] Then based solely on Shari's (a friend of a girlfriend) playful provocation, I auditioned for the theater program at NYU. ... This was an idiotic idea, all things considered. When I eventually pitched it to my parents on the phone, my mother shrieked what a mistake I was making. My dad just listened. ... {H]e said to my mother, 'Let's here him out.' I knew something other than money was behind that. Here was a man who had short-circuited his own dreams in order to provide for his family. 'You'll never be young enough to do this again,' he said.
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My dad turned 40 in October 1967 … in April '68 Martin Luther King was killed. In June '68 Robert Kennedy was killed. And in the fall of '68, my dad's mother died. He was left, on an existential level, saying, "This is what I am. I've got the love of my students and I've got nothing else. My country is going to hell." After 1968, he was never the same again. All the air went out of him.
On a movie set, the cry is 'Back to one!' to alert the cast and extras to reset to their original positions before the camera is rolled for the next take. Whenever I arrived at a place where the film business felt uncomfortable or downright unsafe for me, the place I often returned to was the theater. Onstage, we trust the material works, we assume all the actors are genuinely talented, and the work itself is the focus, unencumbered by the bullshit that often interferes with moviemaking. Back to one indeed.
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