He completely lacked any ardent interest that might have occupied his mind. His interior life was impoverished, had undergone a deterioration so seve… - Thomas Mann
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He completely lacked any ardent interest that might have occupied his mind. His interior life was impoverished, had undergone a deterioration so severe that it was like the almost constant burden of some vague grief. And bound up with it all was an implacable sense of personal duty and the grim determination to present himself at his best, to conceal his frailties by any means possible, and to keep up appearances. It had all contributed to making his existence what it was: artificial, self-conscious, and forced — until every word, every gesture, the slightest deed in the presence of others had become a taxing and grueling part in a play.
Paul Thomas Mann (6 June 1875 – 12 August 1955) was a German novelist, short story writer, social critic, philanthropist, essayist, and 1929 Nobel Prize laureate, known for his series of highly symbolic and ironic epic novels and mid-length stories, noted for their insight into the psychology of the artist and the intellectual.
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I bear within me the seed, the rudiments, the possibility of life's capacities and endeavors. Where might I be, if I were not here? Who, what, how could I be, if I were not me, if this outward appearance that is me did not encase me, separating my consciousness from that of others who are not me? An organism — a blind, rash, pitiful eruption of the insistent assertion of the will. Far better, really, if that will were to drift free in a night without time or space, than to languish in a prison cell lit only by the flickering, uncertain flame of the intellect.
As a science of the unconscious it is a therapeutic method, in the grand style, a method overarching the individual case. Call this, if you choose, a poet's utopia.
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What did one see if one looked in any depth into the world of this writer's fiction? Elegant self-control concealing from the world's eyes until the very last moment a state of inner disintegration and biological decay; sallow ugliness, sensuously marred and worsted, which nevertheless is able to fan its smouldering concupiscence to a pallid impotence, which from the glowing depths of the spirit draws strength to cast down a whole proud people at the foot of the Cross and set its own foot upon them as well; gracious poise and composure in the empty austere service of form; the false, dangerous life of the born deceiver, his ambition and his art which lead so soon to exhaustion — -
