You got me looking up
Even when I'm falling down
You got me crawling out of my skin
You got me wondering why
I am underneath this big old sky
Stopping the loving getting in

Miniature disasters and minor catastrophoes
Bring me to my knees
Well I must be my own master
Or a miniature disaster will be
It will be the death of me

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Over the sea and far away She's waiting like an iceberg Waiting to change But she's cold inside She wants to be like the water.</p> All the muscles tighten in her face Buries her soul in one embrace They're one and the same Just like water. <p> Then the fire fades away And most of everyday Is full of tired excuses But it's too hard to say I wish it were simple But we give up easily You're close enough to see that You're the other side of the world to me.

I was really into sci-fi books as a kid. My dad is a physicist and he used to take my brothers and I into his lab when we were little. We played games with liquid nitrogen and Van de Graaff generators. He had the keys to the observatory at St Andrew's University and he'd get us up in the middle of the night to show us Halley's Comet. That's partly why the album is called Eye To The Telescope.

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I went down to London with the idea that I was going to do vocals over this crazy, crazy trip-hop digital beat. Within two or three months, I heard Hunky Dory by David Bowie and that changed me in one way, and I realized what I actually wanted was to have an E Street Band — individuals, not session musicians.

I was traveling in Greece as a teenager, and for those who haven't been to Greece, it's absolutely covered in olive groves — stunted, gnarly little bonsai-type trees. And I was driving on a moped and a huge black stallion had pulled away from its stake and was just going nuts in this tiny, tiny, hobbit-like forest. It was just such a powerful image, this enormous beast let loose and going wild in a fairy-tale wood of tiny trees... The song itself is really about going through the process of making the first album. It was a very strange experience and a very steep learning curve. For the previous 10 or 15 years, I'd been completely my own boss — when you play a gig, you just play your new song, the new song is always your favorite. And here I was having to make an album of stuff that's never gonna go away. I was being asked to make these huge decisions, so really the song is just about learning to listen to your guts again. There's actually very few times in our lives now when we have to do that.

Growing up in such a stunning landscape is inevitably going to have an effect on you, whether you rebel or whether you embrace, because it's so striking. I lived on this rugged, rugged coastline with the North Sea hammering at the cliffs, and the weather changes literally every half hour. My parents met as rock climbers, so they're absolute outdoors fiends, and we were constantly up hills and under canvas and camping and tramping around. They're very fond memories and something I still love to do.

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So you think it's funny
That you keep calling me all of the time
Everyday
Oh honey
Don't want to be following and falling behind
If you're gonna be walking away