The main issue when it comes to hiring someone from Asia is the language barrier. It's difficult to book someone when they don't speak the language and they can't deliver the lines or even speak to the director. But in terms of Asian-American actresses, we all speak it fluently!

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Even if we didn’t have our current political climate, I think it would be very satisfying to beat up a Nazi. I think when that happened, it was really—it’s satisfying to see onscreen. I was watching it with my boyfriend yesterday and he was like, ‘Yeah, it’s so good. It’s so satisfying, I’ve been wanting this all season.’ But obviously, me as Kimiko, I’ve always wanted to do that.

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But looking back on it, maybe that was just me being this Asian actor who’s used to not being given a story of her own. A lot of times, you’re right, the trope of silent Asian characters is very much a thing. And so I guess a part of me didn’t want to ask for too much, or I didn’t even think about asking for more because she was already given so much. But perhaps that it is the conditioning—that I have been conditioned to think in that way, if you get my drift.

It was really fun! It’s definitely difficult when you can’t say what you want to say, [but] she [Kimiko] says a lot without uttering a word. Portraying that has been a challenge but I really don’t know how to explain it; it just comes to me and I kind of become that.