American novelist and short story writer (1908–1988)
Louis Dearborn L'Amour /ˈluːi ləˈmʊr/ (22 March 1908 – 10 June 1988) was an American novelist and short story writer whose works consisted primarily of Western novels, which he called his "frontier stories", but who also wrote historical fiction, science fiction, nonfiction and poetry.
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A man needs heroes. He needs to believe in strength, nobility and courage. Otherwise we become sheep to be herded to the slaughterhouse of death. I believe this. I am a soldier. I try to fight for the right cause. Sometimes it is hard to know. “But I do not sit back and sneer in cowardice at those with the courage to fight. The blood of good men makes the earth rich, as it is here. When I die sword in hand, I hope someone lives to sing of it. I live my life so that when death comes I may die well. I ask no more.
It has seemed to me that each year one should pause to take stock of himself, to ask: Where am I going? What am I becoming? What do I wish to do and become?
Most people whom I encountered were without purpose, people who had given themselves no goal. The first goal need not be the final one, for a sailing ship sails first by one wind, then another. The point is that it is always going somewhere, proceeding toward a final destination.
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Since I was a small boy, I had watched that forest for enemies or for game, and I knew its every mood and shading, how the sunlight fell through the leaves and where the shadows gathered. It held no mysteries for me but much of memory. I had played there as a child with Yance, Jubal, and Brian, later with Noelle. We had climbed its trees, picked berries there, and played hide-and-seek under its branches.
So many things that are so dramatic or exciting when you read about them actually happen so simply and quietly. We humans like to consider ourselves important to creation and to the world, and we expect that whenever death comes it should be with a crash of thunder and wild shouts or something, or with soft music around and people looking grave and serious. We always have it that way in the theatre because it makes us believe in our importance. Most of our life is a matter of dressing ourselves up to believe in just that, dressing ourselves in attractive clothes, in titles, in reputations. Actually, at base we all realize that we're just a frightened bundle of animals, still afraid of the unknown, and still afraid of thousands of things that can separate us from life, and trying to shield ourselves from our own smallness.