Destarte! How musical! What does it mean?” “You can’t say it except in Mescalero. It means Morning, but that isn’t what it means, either. Indian words are more than just that. They also mean the feel and the sound of the name. It means like Crack of Dawn, the first bronze light that makes the buttes stand out against the gray desert. It means the first sound you hear of a brook curling over some rocks — some trout jumping and a beaver crooning. It means the sound a stallion makes when he whistles at some mares just as the first puff of wind kicks up at daybreak. “It means like you get up in the first light and you and her go out of the wickiup, where it smells smoky and private and just you and her, and kind of safe with just the two of you there, and you stand outside and smell the first bite of the wind coming down from the high divide and promising the first snowfall. Well, you just can’t say what it means in English. Anyway, that was her name. Destarte.” Rather amazed, Angie stared at him. “Why, that’s poetry!
American novelist and short story writer (1908–1988)
Louis Dearborn L'Amour /ˈluːi ləˈmʊr/ (22 March 1908 – 10 June 1988) was an American novelist and short story writer whose works consisted primarily of Western novels, which he called his "frontier stories", but who also wrote historical fiction, science fiction, nonfiction and poetry.
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he revealed nothing. He nodded gravely. “I suppose it might be, ma’am, but I was hired to do the job and take the risks.” “Figured I’d offer,” Thomas said, unwilling to let the matter drop. “You tell me what you figure to do, and I’ll be glad to help.” “Another time.” The marshal tasted his coffee again and looked directly at the girl. “You are new in Sentinel. Will you be staying long?” “No.” “Do you have relatives here?” “No.” He waited, but no explanation was offered. Fitz Moore was puzzled and he studied her from the corners of his eyes. There was no sound in the room but the ticking of the big, old-fashioned clock. The girl sat very still, the delicate line of her profile bringing to him a faint, lost feeling, a nostalgia from his boyhood when such women as she rode to hounds, when there was perfume on the air, blue grass, picket fences . . .
"From Elisha Comes to Red Horse:
"Now I can't claim to be what you'd call a religious man, yet I've a respect for religion, and when a man lives out his life under the sun and the stars, half the time riding alone over mountains and desert, then he usually has a religion although it may not be the usual variety.
We are a people of the frontier, born to it, bred to it, looking always toward it. And when the frontiers of our own land are gone, when we have drawn them all into an ordered world, then we must seek other frontiers, the frontiers of the mind beyond which men have not gone, the frontiers that lie out beyond the stars, the frontiers that lie within our own selves, that hold us back from what we would do, what we would achieve.