Canadian writer
Louise Penny (1 July 1958), is a Canadian crime-fiction author, best known for her Chief Inspector Armand Gamache series set in Quebec. Her novels have been translated into over 23 languages, sold millions of copies worldwide, and repeatedly reached number 1 on the New York Times Best Seller list. She has also earned prestigious awards including multiple Agatha and Anthony Awards, and was appointed a Member of the Order of Canada and an Officer of the National Order of Quebec in 2017.
From: Wikiquote (CC BY-SA 4.0)
Clara Morrow had painted Ruth as the elderly, forgotten Virgin Mary. Angry, demented, the Ruth in the portrait was full of despair, of bitterness. Of a life left behind, of opportunities squandered, of loss and betrayals real and imagined and created and caused. She clutched at a rough blue shawl with emaciated hands. The shawl had slipped off one bony shoulder and the skin was sagging, like something nailed up and empty.
“And yet the portrait was radiant, filling the room from one tiny point of light. In her eyes. Embittered, mad Ruth stared into the distance, at something very far off, approaching. More imagined than real.
Hope.
Clara had captured the moment despair turned to hope. The moment life began. She’d somehow captured Grace.
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Eventually he'd let the answering machine take over and had hidden in his studio. Where he's hidden all his life. From the monster.
He could feel itin their bedroom now. He could feel its tail swishing by him. Feel its hot, fetid breath.
All his life he knew if he was quiet enough, small enough, it wouldnn't see him. If he didn't make a fuss, didn't speak up, it wouldn't hear him, wouldn't hurt him. If he was beyond criticism and hid his cruelty with a smile and good deeds, it wouldn't devour him.
By now he realized there was no hiding. It would always be there, and always find him.
He was the monster.