American writer (1943–2014)
Lucius Shepard (21 August 1943 – 18 March 2014) was an American writer. Classified as a science fiction and fantasy writer, he often leaned into other genres, such as magical realism.
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Doubt concerning their mental well-being creeps in. Is this an instance of healing or a freak scene? Are they two very different people who have connected on a level new to both of them, or are they emotional burnouts who aren’t even talking about the same subject and have misapprehended mild sexual attraction for a moment of truth? Just how much difference is there between those conditions?
Travel has always served to inspire me, as it has many writers, as it apparently did my alter ego; yet the farther we proceeded down the Mekong, the more I came to realize that there was a blighted sameness to the world and its various cultures. Strip away their trappings and you found that every tribe was moved by the same passions, and this was true not only in the present but also, I suspected, in ages past. Erase from your mind the images of the kings and exotic courtesans and maniacal monks that people the legends of Southeast Asia, and look to a patch of ground away from the temples and palaces of Angkor Wat—there you will find the average planetary citizen, a child eating the Khmer equivalent of a Happy Meal and longing for the invention of television.
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The arms dealers were of especial interest to me. They commonly operated on street corners (some nights, in certain quarters, there seemed to be one on almost every corner) and offered a wide selection of handguns and ammo, the odd assault weapon—hardly surprising in a country where you could, I've been told, blow away a cow with a rocket launcher for a fee of two hundred dollars, less if you were prepared to haggle. I saw in them the future of my own country, where death was celebrated with equal enthusiasm, although candy-coated by Technicolor and video games and television news. When the coating finally wore off, as it threatened to do, there we would all be, in Cambodia.
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Overwhelmed with disgust, Donnell said, “I could sell you sorry fuckers anything, couldn’t I?”
They weren’t sure they had heard correctly; they looked at each other, puzzled, asking what had been said.
“I could sell you sorry fuckers anything,” he repeated, “as long as it had a bright package and was wrapped around a chewy nugget of fear. I could be your green-eyed king. But it would bore me to be the salvation of cattle like you. Take my advice, though. Don’t buy the crap that’s slung into your faces by two-bit wart-healers!” He jabbed his cane at Papa Salvatino, who stood open-mouthed in the aisle, a litter of paper cups and fans and Bibles spreading out from his feet. “Find your own answers, your own salvation. If you can’t do that,” said Donnell, “then to Hell with you.”
These movies, they make war seem like a mystical opportunity. Well, man, when I was here it wasn't quite that way, y'know. It was leeches, fungus, the shits. It was searchin' in the weeds for your buddy's arm. It was lookin' into the snaky eyes of some whore you were bangin' and feelin' weird shit crawl along your spine and expectin' her head to do a Linda Blair three-sixty spin." I slipped into a chair and leaned closer to Witcover. "It was Mordor, man. Stephen King land. Horror. And now, now I look around at all these movies and monuments and crap, and it makes me wanna fuckin' puke to see what a noble hell it's turnin' out to be!