Top 15 Martha Graham Quotes

I use the words gods and goddesses principally, I think, to mean beautiful bodies — bodies that are absolute instruments. And I believe in discipline, I believe in a very definite technique. You have no right to go before a public without an adequate technique, just because you feel. Anything feels — a leaf feels, a storm feels — what right have you to do that? You have to have speech, and it's a cultivated speech.

To me, the body says what words cannot. I believe that dance was the first art. A philosopher has said that dance and architecture were the first arts. I believe that dance was first because it's gesture, it's communication. That doesn't mean it's telling a story, but it means it's communicating a feeling, a sensation to people. Dance is the hidden language of the soul, of the body. And it's partly the language that we don't want to show.

Dancing is very like poetry. It's like poetic lyricism, sometimes, it's like the rawness of dramatic poetry, it's like the terror — or it can be like a terrible revelation of meaning. Because when you light on a word it strikes you to your heart.

I think comedy is the most difficult thing in the world, I really do. One can always lament, you know — but to laugh in the face of life, that's very hard. And for me the great tragedian should also be a great comedian.

I don't try to tell the dancers exactly what a dance means before they do it. I can correct it and tell them what they have done after they have done it, and what it means to me. But I don't say, "Be fearful here," "Be angry here," because I think that is intrusion.

To me, the only sin is mediocrity.

I've always regarded eroticism as a beautiful word. I'm not ashamed to be linked to it. I would be ashamed to be linked to flamboyant sexuality; that's a part of life, but it isn't all of it.

The erotic element is life, but doesn't have to absorb you, it doesn't have to be a naughty word. It's the love of life in many ways.

I love words very much. I've always loved to talk, and I've always love words — the words that rest in your mouth, what words mean and how you taste them and so on. And for me the spoken word can be used almost as a gesture.

Dancing is just discovery, discovery, discovery — what it all means…

When you start with an idea, or something hits you, then you have to follow that through to the end, and it's the following through to the end that makes the pattern. That, for me, is choreography.

I am absorbed in the magic of movement and light. Movement never lies. It is the magic of what I call the outer space of the imagination.

The body is a sacred garment: it is what you enter life in and what you depart life with, and it should be treated with honour, and with joy and with fear as well. But always, though, with blessing.

I feel that the essence of dance is the expression of mankind — the landscape of the human soul. I hope that every dance I do reveals something of myself or some wonderful thing a human being can be.

The next time you look into the mirror, just look at the way the ears rest next to the head; look at the way the hairline grows; think of all the little bones in your wrist. It is a miracle. And the dance is a celebration of that miracle.