And quite right too. Thinking back, actually, 'self-infatuation' strikes me as a rather ill-chosen word. It isn't so much that I like or love myself. Rather, I'm sentimental about myself. (I say, is this normal for someone my age?) What do I think of Charles Highway? I think: 'Charles Highway? Oh, I like him. Yes, I've got a soft spot for old Charles. He's all right is Charlie. Chuck's ... okay.
British novelist
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Words are not deeds. In published poems — we think first of Eliot's "Jew", words edge closer to deeds. In Céline's anti-Semitic textbooks, words get as close to deeds as words can well get. Blood libels scrawled on front doors are deed. In a correspondence, words are hardly even words. They are soundless cries and whispers, "gouts of bile," as Larkin characterized his political opinions, ways of saying, "Gloomy old sod, aren't I?" Or more simply, "Grrr." Correspondences are self-dramatizations. Above all, a word in a letter is never your last word on any subject. There was no public side to Larkin's prejudices, and nothing that could be construed as a racist — the word suggest a system of thought, rather than an absence of thought, which would be closer to the reality, closer to the jolts and twitches of self response.
Reading Don Quixote can be compared to an indefinite visit from your most impossible senior relative, with all his pranks, dirty habits, unstoppable reminiscences, and terrible cronies. When the experience is over, and the old boy checks out at last, you will shed tears all right; not tears of relief or regret but tears of pride. You made it, despite all that Don Quixote could do.
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Si eres pequeño y aquello de lo que te evades es grande (¿no han tenido nunca este sueño?), el único escondrijo posible es algún reducto muy pequeño en el que la cosa grande no pueda entrar. Pero lo malo es que tienes que quedarte ahí, en ese sitio tan pequeño, y a veces hasta encogerte para retroceder más aún. Estoy cansado de ese sitio tan pequeño. Estoy hasta los putos huevos de ese sitio tan diminuto. Estoy harto de que me miren sin yo enterarme. Estoy harto de todas esas ausencias.
What saddened and incensed her was the abdication of power, so craven, the surrender so close to home. And power was what she was in for. Nicola had lived deliciously, but she was promiscuous on principle, as a sign of emancipation, of spiritual freedom, freedom from men. She was, she believed, without appetite, and prided herself on her passionless brilliance in bed. But then the subtle rearrangement, and the abject whisper... and it poisoned everything, somehow.
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Denunciation in Russia has a long history, going back at least as far as the sixteenth century and the testingly protracted reign of Ivan the Terrible (1533– 84). “Spy or die” was, more or less, the oath you swore. This practice, increasingly institutionalized under the old regime, was a tsarist barbarity that Lenin might have been expected to question.
I think enlightenment is incremental, and I see it in my children. I was six-years-old when I met a black person. My father tutored me and said, "We're going to meet two men who have black skin." And on the bus in Swansea on the way there, I accepted this and thought this would be no trouble for me. As it was, I went into the room and burst into tears and pointed at the man and said, "You've got a black face." This wouldn't happen with my children. They've known, they've mingled with black people all their lives. This certainly is not going to occur. And so it goes on in this incremental way. … I think this is the only way it can be achieved. The trouble with proclaiming yourself to be cleansed of atavism is that it's not the case. It's an illusion. It's an illusion that can only be maintained by ideology and executive policing. It is forced consciousness. It's a lie to say, I have no racial feelings. Honesty and slow progress is a better policy, I think.