What is the only provocation that could bring about the use of nuclear weapons? Nuclear weapons. What is the priority target for nuclear weapons? Nuclear weapons. What is the only established defense against nuclear weapons? Nuclear weapons. How do we prevent the use of nuclear weapons? By threatening to use nuclear weapons. And we can't get rid of nuclear weapons, because of nuclear weapons. The intransigence, it seems, is a function of the weapons themselves.
British novelist
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What saddened and incensed her was the abdication of power, so craven, the surrender so close to home. And power was what she was in for. Nicola had lived deliciously, but she was promiscuous on principle, as a sign of emancipation, of spiritual freedom, freedom from men. She was, she believed, without appetite, and prided herself on her passionless brilliance in bed. But then the subtle rearrangement, and the abject whisper... and it poisoned everything, somehow.
Violence must come; America must have catharsis. We would hope that the response will be, above all, non-escalatory. It should also mirror the original attack in that it should have the capacity to astonish. A utopian example: the crippled and benighted people of Afghanistan, hunkering down for a winter of famine, should not be bombarded with cruise missiles; they should be bombarded with consignments of food, firmly marked LENDLEASE — USA.
A life is one kind of biography and the letters are another kind of life, but the internal story, the true story is in the Collected Poems. The recent attempts by Motion and others to pass judgement on Larkin look awfully green and pale, compared with the self-examinations of the poetry. They think they judge him? No, he judges them. His indivisibility judges their hedging and trimming. His honesty judges their watchfulness.
One of the historical vulnerabilities of literature, as a subject for study, is that it has never seemed difficult enough. This may come as news to the buckled figure of the book reviewer, but it's true. Hence the various attempts to elevate it, complicate it, systematize it. Interacting with literature is easy.
I looked at it out there. The figures that held my attention, as always (I too had an office at Buna, and spent many hours in front of its window), the figures that held my attention were not the men in stripes, as they queued or scurried in lines or entangled one another in a kind of centipedal scrum, moving at an unnatural speed, like extras in a silent film, moving faster than their strength or build could bear, as if in obedience to a frantic crank swivelled by a furious hand; the figures that held my attention were not the Kapos who screamed at the prisoners, nor the SS noncoms who screamed at the Kapos, nor the overalled company foremen who screamed at the SS noncoms. No. What held my eye were the figures in city business suits, designers, engineers, administrators from IG Farben plants in Frankfurt, Leverkusen, Ludwigshafen, with leather-bound notebooks and retractable yellow measuring tapes, daintily picking their way past the bodies of the wounded, the unconscious, and the dead.
Bly is a poet, he is a big cat, so to speak, and not some chipmunk from the how-to culture. But it is the how-to culture that has picked up on his book. ... And yet, for a while Iron John transformed male consciousness in the United States. The wild men weekends and initiation, adventure holidays and whatnot, which were big business, may prove to be ephemeral. But what does one make of the unabashed references in the press to "men's liberation" and the men's movement and the fact that there are now at least half a dozen magazines devoted to nothing else? Changing men, journeymen, man. … Bly's average reader is not a poet and a critic, but a weightlifter from Brooklyn.
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