American writer (1912–1989)
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Peter, a philosophy minor, was an adept of the Kantian ethic; he had pledged himself never to treat anyone as a means ('The Other is always an End: thy Maxim,' said a card he carried in his wallet […]), and yet, because of his shyness, which made his approaches circuitous, he repeatedly found himself doing exactly that.
To be a child is something one learns, as one learns the names of rivers or the kings of France. Childhood, for a child, is a sort of falseness, woodenness, stoniness, a lesson recited. Many children are aware of this — that is, aware of being children as a special, prosy condition: "We can't do that! We're children!" Playing children is a long boring game with occasional exciting moments.
Calling someone a monster does not make him more guilty; it makes him less so by classing him with beasts and devils (“a person of inhuman and horrible cruelty or wickedness,” OED, Sense 4). Such an unnatural being is more horrible to contemplate than an Eichmann — that is, aesthetically worse — but morally an Ilse Koch was surely less culpable than Eichmann since she seems to have had no trace of human feeling and therefore was impassable to conscience.
'Let me out!' 'You want to get out of the car?' said Lakey. 'Yes,' said Harald. 'You bury her. You and the "group."' Lakey stopped the car. He got out. She drove on, following the cortège, watching him in the rear-view mirror as he crossed the road and stood, thumbing a ride, while cars full of returning mourners glided past him, back to New York.
They got into the car. This time Lakey drove. Listening to Harald's wild talk had disgusted her; she concluded that he was utterly specious. She was ashamed of the curiosity she had felt about him. To be curious about someone opened you to contamination from them. But she was still determined to play him a trick, to take revenge for Kay, for women, and most of all for the impudence of his associating himself with her.
She did not recommend sacrifice, having meekly given up her job and her social ideals for Sloan's sake. It was now too late, because of Stephen, but she was convinced she had made a mistake. Sloan would be far happier if she were where she longed to be — in Washington as a humble cog in the New Deal, which he hated — and he could boast of 'my Bolshevik wife.' He had been proud of her when she was with the N.R.A., because she had had gumption, and now even that was gone.
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