[H]e came quickly to believe that the modern was some sort of duty laid on every man who had heard its call, a system of knowledge and perception equivalent to revealed religion — and for all those born too early to receive its message, for Raphael and Shakespeare, he felt a kind of pity like that of the pious Christian for the deprived souls of the ancients, who died too soon to get the benefits of the Redemption.

I still know when I lie, I can recognize a frame-up when I make one. But Frederick is his own stooge, his own innocent front. He has a vested interest in himself. He is the perfect Protestant pragmatist. 'If I say this, it is true,' 'If I do this, it is justified.' There is no possibility of dispute because Frederick has grace, Frederick belongs to the Elect. It's the religion of the Pharisee, the religion of the businessman.

If only one could … But it required strength. The romantic life had been too hard for her. In morals as in politics anarchy is not for the weak. The small state, racked by internal dissension, invites the foreign conqueror. Proscription, martial law, the billeting of the rude troops, the tax collector, the unjust judge, anything, anything at all, is sweeter than responsibility. The dictator is also the scapegoat; in assuming absolute authority, he assumes absolute guilt; and the oppressed masses, groaning under the yoke, know themselves to be innocent as lambs, while they pray hypocritically for deliverance.

[H]e was now confronted with what he imagined to be a general, undiscriminating hostility, a spirit of criticism embodied in the girl that was capricious, feminine, and absolutely inscrutable, so that he went about feeling continually guilty without knowing just what it was he had done. It haunted him that if he could anticipate every objection, he would be safe, but there was no telling what this strange girl might find fault with, and the very limitation of his knowledge of her made the number of possible objections limitless.

When we pass from "I ought to do this" to "You think I ought to do this," it seems to us at first that we have weakened the imperative; actually, by externalizing it, we have made it unanswerable, for it is only ourselves that we can come to terms with.

He had the true American taste for argument, argument as distinguished from conversation on the one hand and from oratory on the other. The long-drawn-out, meandering debate was, perhaps, the only art form he understood or relished, and this was natural since the argument is in a sense our only indigenous folk-art, and it is not the poet but the silver-tongued lawyer who is our real national bard.

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She could not bear to hurt her husband. She impressed this on the Young Man, on her confidantes, and finally on her husband himself. The thought of Telling Him actually made her heart turn over in a sudden and sickening way, she said. This was true, and yet she knew that being a potential divorcee was deeply pleasurable in somewhat the same way that being an engaged girl had been.

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