Hear it, O Thyrsis, still our tree is there!— Ah, vain! These English fields, this upland dim, These brambles pale with mist engarlanded, That lone, sky-pointing tree, are not for him; To a boon southern country he is fled, And now in happier air, Wandering with the great Mother’s train divine (And purer or more subtle soul than thee, I trow, the mighty Mother doth not see) Within a folding of the Apennine.

Yes, thou art gone! and round me too the night In ever-nearing circle weaves her shade. I see her veil draw soft across the day, I feel her slowly chilling breath invade The cheek grown thin, the brown hair sprent with grey; I feel her finger light Laid pausefully upon life’s headlong train; — The foot less prompt to meet the morning dew, The heart less bounding at emotion new, And hope, once crush’d, less quick to spring again.

Venid a mí en mis sueños, y luego durante el día estaré bien otra vez. Porque entonces la noche más que pagará el anhelo desesperado del día.

And thou, who didst the stars and sunbeams know, Self-school'd, self-scann'd, self-honour'd, self-secure, Didst tread on earth unguess'd at. — Better so! All pains the immortal spirit must endure, All weakness which impairs, all griefs which bow, Find their sole speech in that victorious brow.

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I say again here, what I have said in the pages which follow, that from the faults and weaknesses of bookmen a notion of something bookish, pedantic, and futile has got itself more or less connected with the word culture, and that it is a pity we cannot use a word more perfectly free from all shadow of reproach. And yet, futile as are many bookmen, and helpless as books and reading often prove for bringing nearer to perfection those who [ix] use them, one must, I think, be struck more and more, the longer one lives, to find how much, in our present society, a man's life of each day depends for its solidity and value on whether he reads during that day, and, far more still, on what he reads during it.

The pursuit of perfection, then, is the pursuit of sweetness and light. He who works for sweetness and light, works to make reason and the will of God prevail. He who works for machinery, he who works for hatred, works only for confusion. Culture looks beyond machinery, culture hates hatred; culture has one great passion, the passion for sweetness and light.

Weary of myself, and sick of asking
What I am, and what I ought to be,
At this vessel's prow I stand, which bears me
Forwards, forwards, o'er the starlit sea.