Spanish poet (1864-1936)
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Sí, sí, hay un aburrimiento inconsciente. Casi todos los hombres nos aburrimos inconscientemente. El aburrimiento es el fondo de la vida, y el aburrimiento es el que ha inventado los juegos, la distracciones, las novelas y el amor. La niebla de la vida rezuma un dulce aburrimiento, licor agridulce. Todos estos sucesos cotidianos, insignificantes; todas estas dulces conversaciones con que matamos el tiempo y alargamos la vida, ¿qué son sino dulcísimo abrurrirse? ¡ Oh Eugenia, mi Eugenia, flor de mi aburrimiento vital e inconsciente, asísteme en mis sueños, sueña en mí y conmigo!
What we really long for after death is to go on living this life, this same mortal life, but without its ills without its tedium, and without death. Seneca, the Spaniard, gave expression to this in his Consolatio ad Marciam... And what but that is the meaning of that comic conception of the eternal recurrence which issued from the tragic soul of poor Nietzsche, hungering for concrete and temporal immortality?
Knowledge is employed in the service of the necessity of life and primarily in the service of the instinct of personal preservation. The necessity and this instinct have created in man the organs of knowledge and given them such capacity as they possess. Man sees, hears, touches, tastes and smells that which it is necessary for him to see, hear, touch, taste and smell in order to preserve his life. The decay or loss of any of these senses increases the risks with which his life is environed, and if it increases them less in the state of society in which we are actually living, the reason is that some see, hear, touch, taste and smell for others. A blind man, by himself and without a guide, could not live long. Society is an additional sense; it is the true common sense.
The philosophy of the soul of my people appears to me as an expression of an inward tragedy analogous to the tragedy of the soul of Don Quixote, as the expression of conflict between what the world is as scientific reason shows it to be and what we wish that it might be, as our religious faith affirms it to be. And in this philosophy is to be found the explanation of what is usually said about us — namely, that we are fundamentally irreducible to Kultur — or in other words, that we refuse to submit to it. No, Don Quixote does not resign himself either to the world, or to science or logic, or to art or esthetics, or to morality or ethics.
I must avert here once again to my view of the opposition that exists between individuality and personality, notwithstanding the fact that the one demands the other. Individuality is, if I may so express it, the container or thing which contains, personality the content or thing contained, or I might say that my personality is in a certain sense my comprehension, that which I comprehend or embrace within myself — which is in a certain way the whole Universe — and that my individuality is my extension; the one my infinite, the other my finite.
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And the conversion of the other Don Quixote — he who was converted only to die — was possible because he was mad, and it was his madness, and not his death or his conversion that immortalized him, earning him forgiveness for this crime of having been born. Felix culpa! And neither was his madness cured, but only transformed. His death was his last knightly adventure; in dying he stormed heaven, which suffereth violence.