Nastassja Kinski Quotes

For everything that you do, there are people who appreciate your work and then there are those who don't. I think very few people have the guts to be sure of what they are doing, believe in it, and then go ahead and do it, irrespective of what people think.

My father loved us so much, but he's the kind of person that chokes you. He doesn't leave you your own pleasures. If you think or feel one way and he feels the other way, he won't accept it. My mother wanted to work. People wanted her to do movies, but he just wanted her to be at home, be a mother, be a wife, be this Venus, this planet he could land on anytime.

I always fall in love with someone while I'm working in a film. It's a joy to get up in the morning. Sometimes when I'm not infatuated, I just make things up in my mind. Making a film is such an intense thing. You're eliminating everything in your life and you're absorbed into the world of the movie. It's exciting. It's like somebody saying you have an illness and you only have this short time to live. Then you live it that life is over with. Good-bye. You never see any of the people again. But meanwhile you have this short life in which you can do and feel and fantasize about all kinds of things because you know it will soon be over. So I always fall in love. Then you slip out of it, like a skin you take off, and you're naked and you're cold but it's exciting because there is going to be something new. My relationships are as intense and as giving and as short as my parts are. I would pump everything into a person. I would give my left arm that it was for life, but it dies so shortly. And when it dies, it doesn't even leave traces. The relationship vanishes into space. When I finish a part, it's the same feeling. I leave people and people leave me, I leave parts and parts leave me. I say it is 'the flow of life,' but it affects me terribly. Every once in a while I have such a breakdown, question every move.

I would do anything to put him behind bars for life. I am glad he is no longer alive.

In the past directors have always portrayed me as this strange girl who hardly talks but who has a great effect on people. They don't give me a chance to do something more, let more out of what is inside of me. The time is only coming up now when I feel I can open up. I have been almost a creature of these directors' imaginations. I guess that is what they saw in me and why they picked me. But if I was an object at moments in movies, I was also alive. I wasn't dead. I always gave everything I could while I worked. I could give maybe more today, but I gave what I could then.

I don't understand acting. Sometimes I only understand it while I'm doing it, and sometimes not even then. You cannot study acting. You can get new tools to use..., but you can't become something by studying, you just can't. You can become better. But some people can't even do that. They are best when they are very young because they are restless. When the restlessness settles, the acting goes. When acting goes for me, I'll just stop and do something else. I hope I always will get better and better, meaning bigger and bigger and more courageous and deeper and lighter and more flexible. But when it's time to go, it's time to go. There is no use trying to ride a wooden horse.

If you get typecast, it's up to you to break that. Since I started real young, getting roles where they would ask me to take my clothes off, I would get those [types of] scripts over and over. The fact that I'm still here and working... I don't know if it's so much because of my performances or something else.

With the passage of time, I guess my priorities have changed and so have the parameters on the basis of which I decide to do a film. Today I look for a lot more mature roles, with a lot of substance. I want to do different things, or rather -- things differently.