I don't understand acting. Sometimes I only understand it while I'm doing it, and sometimes not even then. You cannot study acting. You can get new tools to use..., but you can't become something by studying, you just can't. You can become better. But some people can't even do that. They are best when they are very young because they are restless. When the restlessness settles, the acting goes. When acting goes for me, I'll just stop and do something else. I hope I always will get better and better, meaning bigger and bigger and more courageous and deeper and lighter and more flexible. But when it's time to go, it's time to go. There is no use trying to ride a wooden horse.

Nudity in a picture is such a delicate thing, and it is so rarely right. But it can be right if it's done by people with beautiful vision and if it becomes part of the melody of the situation. The body, after all, is a beautiful and secret thing.

In the past directors have always portrayed me as this strange girl who hardly talks but who has a great effect on people. They don't give me a chance to do something more, let more out of what is inside of me. The time is only coming up now when I feel I can open up. I have been almost a creature of these directors' imaginations. I guess that is what they saw in me and why they picked me. But if I was an object at moments in movies, I was also alive. I wasn't dead. I always gave everything I could while I worked. I could give maybe more today, but I gave what I could then.

I idealize my directors. It's true. I need to. I need to. I don't know if idealizing is a bad thing or good thing. But I just want to get up in the morning and work to get a glimpse of thing of his eyes searching things inside of me. For some I want to go to hell and to heaven. It hasn't happened with everybody. There are certain people I idealize. Others are very good, and I want to please them, too, but in a different sense of the word.

I always fall in love with someone while I'm working in a film. It's a joy to get up in the morning. Sometimes when I'm not infatuated, I just make things up in my mind. Making a film is such an intense thing. You're eliminating everything in your life and you're absorbed into the world of the movie. It's exciting. It's like somebody saying you have an illness and you only have this short time to live. Then you live it that life is over with. Good-bye. You never see any of the people again. But meanwhile you have this short life in which you can do and feel and fantasize about all kinds of things because you know it will soon be over. So I always fall in love. Then you slip out of it, like a skin you take off, and you're naked and you're cold but it's exciting because there is going to be something new. My relationships are as intense and as giving and as short as my parts are. I would pump everything into a person. I would give my left arm that it was for life, but it dies so shortly. And when it dies, it doesn't even leave traces. The relationship vanishes into space. When I finish a part, it's the same feeling. I leave people and people leave me, I leave parts and parts leave me. I say it is 'the flow of life,' but it affects me terribly. Every once in a while I have such a breakdown, question every move.

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The period I'm going through now is a transition. You know when you're in the middle of puberty and you don't know what to do with yourself? I feel like that now, It will be a transition into something very good if I work hard enough at it. But it is a frustration and an emptiness and a lack of confidence now. I feel young and I feel old. I feel twenty years below zero and old. I put a lot of demands on myself to know this and that, to be here and there. I've got to really do one thing at a time all the way. I've got stop wanting to know and do everything at the same time. It's like you have a home stuffed with beautifull things - statues, books, lamps - that give a little bit, a little bit, a little bit, and you have nothing. And then you go into a house where there isn't a great light and one object and you could sit there all your life studying it, and one discovery about the object would give birth to the next, and it would be totally fulfilling. Right now my life is cluttered and you can't run away from it. If I weren't attached to this body I would have left it long ago.

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If I were an animal, I would be a fish or a bird. It's the peace and beauty of ocean, the silent language of it. It seems like a womb, protective. The sky too. I love all colors, but blue mainly, because it's transparent like the water and the sky.