When I'm Sad I stop being sad, and be awesome instead.

Our culture's adjustment to the epistemology of television is by now all but complete; we have so thoroughly accepted its definitions of truth, knowledge and reality that irrelevance seems to us to be filled with import, and incoherence seems eminently sane. And if some of our institutions seem not to fit the template of the times, why it is they and not the template, that seem to us disordered and strange.

You experience them experiencing pure magic, unadulterated by cynicism or irony or self-consciousness. And as the ride makes its full circle, so do you, until Peter Pan has done it again, and you are once more a child, taking it all in, amazed, overwhelmed, enchanted.

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[on being LGBT in show business] People in the business are equally as terrified now -- but I really find it a personal thing. And maybe I’m at the end of that era. I wouldn’t even want to stereotype today’s generation. But the majority of the casting departments are gay, and a lot of the executives are. I think it’s a matter of your abilities and how you carry yourself -- I don’t behave any differently toward you right now than when I am with David [Burtka, his boyfriend] in our apartment, watching "American Idol." OK, "So You Think You Can Dance." [Laughs] I can see why an agent wouldn’t want to sign on a real overtly effeminate male actor -- not because I have an aversion to them but because agents might know it limits their job opportunities.

"He wanted a home. He wanted a family. He wanted to have friends. But none of those things were realistic. At least not until he came to Mineral Wells. Right now Carter was just trying to hold on to the happiness he'd found since meeting Mr. Vernon the previous night.
"To belong, okay??" Carter snapped. He felt tears in his eyes, but he wasn't sure. Quickly, he wiped at them. "You don't know what it's like to be alone.

I am gay - gay for that pussy!