American actor (born 1973)
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"Ted: Barney, the 3 days rule is insane. I mean, who even came up with that?
Barney: Jesus.
Marshall: Barney, don't do this, not with Jesus.
Barney: Seriously, Jesus started the whole wait-three-days thing. He waited three days to come back to life. It was perfect.
Barney: If he'd have only waited one day, a lotta people wouldn't have even heard that he died. They'd be all "Hey, Jesus. What up?" And Jesus would probably be like, "What up? I died yesterday."
Barney: Then they'd be all, "Uh, look pretty alive to me dude." And then Jesus would have to explain how he was resurrected and how it was a miracle. And then the dude would be like "Ah, oh-kay, whatever you say "bro"."
Robin: Wow, ancient dialogue sounds so stilted now.
Barney: And you're not gonna come back on a Saturday, everybody's busy! Doin' chores, workin' the loom, trimmin' their beards. No, he waits the exact, right number of days - three.
Ted: Ok, I promise, I'll wait 3 days. Just please stop talking.
Barney: Plus, it's Sunday, so everyone's in church already. They're all in there - "Oh no, Jesus is dead."
Barney: Then BAM! He bursts through the back door, runs up the aisle, everyone's totally psyched and FYI, that's when he invented the high-five.
Barney: Three days, Ted. We wait three days to call a woman because that's how long Jesus wants us to wait. True story."
Playing gay in the theater is more fulfilling than on film because you can create a whole character and a backstory and you get to chip away at something over a long period of time. When you’re acting on film you sort of have one afternoon in front of a crew to just do it. And you don’t want to then be too overt and like that stereotype. But when I was doing A Paris Letter with Josh [Radnor], I was playing someone overtly flamboyant from the ’60s seducing him, and if I did that on film, I think it would look like I was acting too hard. It’s one of the fun things one wants to do as an actor, to play the flamboyant gay guy. But when you are gay that ends up being offensive to people. Say I was asked to play a flamboyant steward in an Airplane!–type farce. It would be a difficult decision to say yes to that role at this point because a lot of people would accuse me of making a mockery of gay people.
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My job is jester -- not advocate. I’m on a situation comedy responding to [Josh Radnor’s character] Ted Mosby and his wacky adventures -- that’s my job right now. If people want to comment about where I go to dinner, they are welcome to, but it’s not my job to respond to those statements. The Internet stuff threw me for a loop because I didn’t understand where the vitriol was coming from. I thought I had been representing well, and in turn it seemed like I was quickly condemned to step to the plate, and I was fine with that.
comin’ straight outta Brentwood, a cadre of young stars who’ve grown up deprived of deprivation trying to transform themselves into street toughs by forming ““gangs”” so devoid of street cred it’s necessary to put the word in two sets of quotes. What kind of criminal activity are they engaged in? Script laundering? Agent smuggling? Film miscasting? Who knows. They think they have a posse when what they really have is a pose.
Some would say you were in a closet. Some would say you didn’t even know you were in a house. The “truth” about a person’s sexual preference is often revealed through a long journey of tiny steps, and acceptance is one of the last ones. It’s an individual story for every person. There are unique personal prejudices in everyone, created by our families, our social circles, and mostly by ourselves. It’s tough to confront those things that you are afraid of in yourself.