Whilst the distinction of ‘society’ and ‘individual’ has colloquial (and political) meaning, those inclined to the analysis of complex systems are more likely to ask which groups or societies are real individuals, exhibiting functional or behavioral integrity, as self-reproducing wholes. In pursuing this line of investigation, it is far more relevant to discriminate between types of groups than between groups and individuals, or even wholes and parts. It is especially helpful to distinguish feature groups from unit groups.

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Where the progressive enlightenment sees political ideals, the dark enlightenment sees appetites. It accepts that governments are made out of people, and that they will eat well. Setting its expectations as low as reasonably possible, it seeks only to spare civilization from frenzied, ruinous, gluttonous debauch. From Thomas Hobbes to Hans-Hermann Hoppe and beyond, it asks: How can the sovereign power be prevented—or at least dissuaded—from devouring society? It consistently finds democratic 'solutions' to this problem risible, at best.

Even in its comparatively tame, fully mathematico-scientifically respectable variants, feedback causality tends to auto-production, and thus to time-anomaly. ...As it mechanizes, capital approximates ever more closely to an auto-productive circuit in which it appears—on the screen—as something like the 'father' of itself (M → C → M').

Time ‘keeping’ devices produce a measure of duration, according to general principles of standardized mechanical production, so that a clock-marked minute is stripped of qualitative distinctness automatically. Chronometrically, any difference between one minute and another is a mechanical discrepancy, strictly analogous to a production line malfunction.

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Philosophy is any culture’s pole of maximum abstraction, or intrinsically experimental intelligence, expressing the liberation of cognitive capabilities from immediate practical application, and their testing against ‘ultimate’ problems at the horizon of understanding.

Isaac Newton’s Philosophae Naturalis Principia Mathematica abstracted time from events, establishing its tractability to scientific calculation. Conceived as pure, absolute duration, without qualities, it conforms perfectly to its mathematical idealization (as the real number line). Since time is already pure, its reality indistinguishable from its formalization, a pure mathematics of change – the calculus – can be applied to physical reality without obstruction. The calculus can exactly describe things as they occur in themselves, without straying, even infinitesimally, from the rigorous dictates of formal intelligence. In this way natural philosophy becomes modern science.

Time-travel has a uniquely intimate, and seductively morbid, relationship to both fiction and history, because it scrambles the very principle of narrative order in profundity. If Western media authorities assumed the same role of cultural custodianship that has been traditional among their Chinese peers, they too might have been compelled to denounce a genre that flagrantly subverted the foundational principle of Aristotelian poetics: that any story worthy of veneration should have a beginning, a middle, and an end. If time-travel can occur, it seems (at least initially) that order is an illusion, so that fiction and reality switch places.

The cyberpunk circuitry of self-organizing planetary commoditronics escaped nominal bourgeois control in the late nineteenth century, provoking technocratic-corporatist (i.e. fascist / 'social democratic') political cultures in allergic reaction.

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In modern times, the clearest example of history in the ancient, great cycle mode, is found in the work of another German socialist philosopher: Oswald Spengler. Modeling civilizations on the life-cycles of organic beings, he plotted their rise and inevitable decay through predictable phases. For the West, firmly locked into the downside of the wave, relentless, accelerating degeneration can be confidently anticipated. Spengler’s withering pessimism seems not to have detracted significantly from the cultural comfort derived from his archetypal historical scheme.