American writer (1923–2007)
Norman Mailer (31 January 1923 – 10 November 2007) was an American novelist, journalist, playwright, screenwriter and film director who is considered to have been innovator of creative nonfiction, a genre sometimes called New Journalism.
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Americans have been leading a double life, and our history has moved on two rivers, one visible, the other underground; there has been the history of politics which is concrete, factual, practical and unbelievably dull if not for the consequences of the actions of some of these men; and there is a subterranean river of untapped, ferocious, lonely and romantic desires, that concentration of ecstasy and violence which is the dream life of the nation.
Eleanor Roosevelt, fine, precise, hand-worked like ivory. Her voice was almost attractive … One had the impression of a lady who was finally becoming a woman, which is to say that she was just a little bitchy about it all; nice bitchy, charming, it had a touch of art to it, but it made one wonder if she were not now satisfying the last passion of them all, which was to become physically attractive, for she was better-looking than she had ever been.
There was Johnson (Lyndon) who had compromised too many contradictions and now the contradictions were in his face: when he smiled the corners of his mouth squeezed gloom; when he was pious, his eyes twinkled irony; when he spoke in a righteous tone, he looked corrupt; when he jested, the ham in his jowls looked to quiver. He was not convincing. He was a Southern politician, a Texas Democrat, a liberal Eisenhower; he would do no harm, he would do no good, he would react to the machine, good fellow, nice friend -- the Russians would understand him better than his own. … Johnson gave you all of himself, he was a political animal, he breathed like an animal, sweated like one, you knew his mind was entirely absorbed with the compendium of political fact and maneuver.
For years Pershing Square has been one of the three or four places in America famous to homosexuals, famous not for its posh, the chic is round-heeled here, but because it is one of the avatars of good old masturbatory sex, dirty with the crusted sugars of smut, dirty rooming houses around the corner where the score is made, dirty book and photograph stores down the street.
Los Angeles is the home of self-expression, but the artists are middle-class and middling-minded; no passions will calcify here for years in the gloom to be revealed a decade later as the tessellations of hard and fertile work. … In this land of the pretty-pretty, the virility is in the barbarisms, the vulgarities, it is in the huge billboards, the screamers of the neon lighting, the shouting farm-utensil colors of the gas stations and monster drugstores, it is in the swing of the sports cars, hot rods, convertibles.
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