The punctilious description of this inner world history is the true theory of Nature. Through the inter-coherence of his own world of thought and its harmony with the universe, a system of thought arises spontaneously as the true image and formula of the Universe. But the art of peaceful Meditation, of generative cosmic speculation is difficult. The undertaking is furthered by incessant reflection, by a severe austerity, and its satisfaction will be not the applause of contemporaries who shrink from fatigue, but only the joy of knowledge and growth, an inner rhythm with the Universe.
German poet and writer (1772-1801)
Baron Georg Philipp Friedrich von Hardenberg (2 May 1772 – 25 March 1801) was an author, philosopher and poet of early German Romanticism. He is most commonly known by the pseudonym Novalis (denoting a "clearer of new land" — derived from a tradition of his ancestors, who had called themselves de Novali).
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Alternative Names:
Georg Philipp Friedrich Freiherr von Hardenberg
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Friedrich von Hardenberg
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Surely this voice meant our Teacher; for it is he that can collect the indications which lie scattered on all sides. A singular light kindles in his looks, when at length the high Rune lies before us, and he watches in our eyes whether the star has yet risen upon us, which is to make the Figure visible and intelligible.
The imagination places the world of the future either far above us, or far below, or in a relation of metempsychosis to ourselves. We dream of traveling through the universe — but is not the universe within ourselves? The depths of our spirit are unknown to us — the mysterious way leads inwards. Eternity with its worlds — the past and future — is in ourselves or nowhere. The external world is the world of shadows — it throws its shadow into the realm of light. At present this realm certainly seems to us so dark inside, lonely, shapeless. But how entirely different it will seem to us — when this gloom is past, and the body of shadows has moved away. We will experience greater enjoyment than ever, for our spirit has been deprived.
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The world must be romanticized. Only in that way will one rediscover its original senses. Romanticization is nothing less than a qualitative raising of the power of a thing . . . I romanticize something when I give the commonplace a higher meaning, the known the dignity of the unknown, and the finite the appearance of the infinite.
No one, of a surety, wanders farther from the mark than he who fancies to himself that he already understands this marvellous Kingdom, and can, in few words, fathom its constitution, and everywhere find the right path. To no one, who has broken off, and made himself an Island, will insight rise of itself, nor even without toilsome effort. Only to children, or childlike men, who know not what they do, can this happen. Long, unwearied intercourse, free and wise Contemplation, attention to faint tokens and indications; an inward poet-life, practised senses, a simple and devout spirit: these are the essential requisites of a true Friend of Nature; without these no one can attain his wish.
The fate which oppresses us is the inertia of our spirit. Through extending and cultivating our activity we shall transform ourselves into fate.
Everything seems to stream inward into us, because we do not stream outward. We are negative because we want to be — the more positive we become, the more negative will the world around us become — until at last there will be no more negation — but instead we are all in all.
God wants there to be gods.