German poet and writer (1772-1801)
Baron Georg Philipp Friedrich von Hardenberg (2 May 1772 – 25 March 1801) was an author, philosopher and poet of early German Romanticism. He is most commonly known by the pseudonym Novalis (denoting a "clearer of new land" — derived from a tradition of his ancestors, who had called themselves de Novali).
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Die Welt muß romantisiert werden. So findet man den ursprünglichen Sinn wieder. Romantisieren ist nichts, als eine qualitative Potenzierung. Das niedre Selbst wird mit einem bessern Selbst in dieser Operation identifiziert. (…) Indem ich dem Gemeinen einen hohen Sinn, dem Gewöhnlichen ein geheimnisvolles Ansehn, dem Bekannten die Würde des Unbekannten, dem Endlichen einen unendlichen Schein gebe so romantisiere ich es.
Sacrifice of the self is the source of all humiliation, as also on the contrary is the foundation of all true exaltation. The first step will be an inward gaze — an isolating contemplation of ourselves. Whoever stops here has come only halfway. The second step must be an active outward gaze — autonomous, constant observation of the external world.
No one will ever achieve excellence as an artist who cannot depict anything other than his own experiences, his favorite objects, who cannot bring himself to study assiduously even a quite strange object, which does not interest him at all, and to depict it at leisure. An artist must be able and willing to depict everything. This is how a great artistic style is created, which rightly is so much admired in Goethe.
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What is it that wells up so suddenly and menacingly under my heart, swallowing the soft air of melancholy? Are you pleased with us, dark night? What is it you conceal under your mantle, that grabs invisibly and powerfully at my soul? A rich balm drips off your fingers from a bundle of poppies. You raise up the heavy wings of the soul – darkly and inexpressibly we are moved. I see an earnest face startled with joy – softly and reverently it inclines toward me, and under endlessly entangled locks
appears the cherished face of our Mother. How poor and childish the light seems to me now − how welcome and
blessed is the day’s departure.
The world must be romanticized. In this way its original meaning will be rediscovered. Romanticization is nothing but a qualitative realization of potential. The lower self is identified, in this operation, with a better self. As we are ourselves are such a qualitative series of empowerings. This operation is as yet quite unknown. Insofar as I give a higher meaning to what is commonplace, and a mysterious appearance to what is ordinary, the dignity of the unknown to what is known, a semblance of infinity to what is finite, I romanticize it.
The letter is only an aid to philosophical communication, the actual essence of which consists in arousing a particular train of thought. Someone speaking thinks and produces — someone listening reflects — and reproduces. Words are a deceptive medium for what is already though — unreliable vehicles of a particular, specific stimulus. The true teacher is a guide. If the pupil genuinely desires truth it requires only a hint to show him how to find what he is seeking. Accordingly the representation of philosophy consists purely of themes — of initial propositions — principles. It exists only for autonomous lovers of truth. The analytical exposition of the theme is only for those who are sluggish or unpracticed. The latter must learn thereby how to fly and keep themselves moving in a particular direction.
Attentiveness is a centripetal force. The effective relation between that which is directed and the object of direction begins with the given direction. If we hold fast to this direction we are apodictically certain of reaching the goal that has been set.
True collaboration in philosophy then is a common movement toward a beloved world — whereby we relieve each other in the most advanced outpost, a movement that demands the greatest effort against the resisting element within which we are flying.