The imagination places the world of the future either far above us, or far below, or in a relation of metempsychosis to ourselves. We dream of traveling through the universe — but is not the universe within ourselves? The depths of our spirit are unknown to us — the mysterious way leads inwards. Eternity with its worlds — the past and future — is in ourselves or nowhere. The external world is the world of shadows — it throws its shadow into the realm of light. At present this realm certainly seems to us so dark inside, lonely, shapeless. But how entirely different it will seem to us — when this gloom is past, and the body of shadows has moved away. We will experience greater enjoyment than ever, for our spirit has been deprived.

Oh draw at my heart, love,
Draw till I'm gone,
That, fallen asleep, I
Still may love on.
I feel the flow of
Death's youth-giving flood
To balsam and ether
Transform my blood — I live all the daytime
In faith and in might
And in holy fire
I die every night.

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The world must be romanticized. Only in that way will one rediscover its original senses. Romanticization is nothing less than a qualitative raising of the power of a thing . . . I romanticize something when I give the commonplace a higher meaning, the known the dignity of the unknown, and the finite the appearance of the infinite.

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I turn away from the light to the holy, inexpressible, mysterious night. Far away lies the world − sunk into a
deep vault, its place waste and lonely. Across my heart strings a low melancholy plays. I will fall in drops of dew and merge with the ashes. Distant memories, the wishes of youth, the dreams of childhood, the brief joys and vain hopes of a long life – all arise dressed in grey, like evening mist after sunset. In other lands light has
pitched its merry tents. And if it never returned to its children, who would await its dawning with the innocence of faith?