Olaf Stapledon Quotes

Thus, little by little, it came about, as so often before, that the Star Maker outgrew his creature. Increasingly he frowned upon the loveliness that he still cherished. Then, seemingly with a conflict of reverence and impatience, he set our cosmos in its place among his other works.

He knew that this creature, though imperfect, though a mere creature, a mere figment of his own creative power, was yet in a manner more real than himself. For beside this concrete splendor what was he but a mere abstract potency of creation? Moreover in another respect the thing that he had made was his superior, and his teacher. For as he contemplated this the loveliest and subtlest of all his works with exultation, even with awe, its impact upon him changed him, clarifying and deepening his will. As he discriminated its virtue and its weakness, his own perception and his own skill matured. So at least it seemed to my bewildered, awe-stricken mind.

He saw that their distinctive virtue lay in their finitude, their minute particularity, their tortured balance between dullness and lucidity; and that to save them from these would be to annihilate them.

To speak thus of the universal spirit is almost childishly anthropomorphic. For the life of such a spirit, if it exists at all, must be utterly different from human mentality, and utterly inconceivable to man. Nevertheless, since this childish symbolism did force itself upon me, I record it. In spite of its crudity, perhaps it does contain some genuine reflection of the truth, however distorted.

The cosmos which he now created was that which contains the readers and the writer of this book. In its making he used, but with more cunning art, many of the principles which had already served him in earlier creations; and he wove them together to form a more subtle and more capricious unity than ever before.

In that instant when I had seen the blazing star that was the Star Maker, I had glimpsed, in the very eye of that splendor, strange vistas of being; as though in the depths of the hypercosmical past and the hypercosmical future also, yet coexistent in eternity, lay cosmos beyond cosmos.

It is enough to have been created, to have embodied for a moment the infinite and tumultuously creative spirit. It is infinitely more than enough to have been used, to have been the rough sketch for some perfected creation.

The creator, if he should love his creature, would be loving only a part of himself; but the creature, praising the creator, praises an infinity beyond himself.

It seemed that he gazed down on me from the height of his divinity with the aloof though passionate attention of an artist judging his finished work; calmly rejoicing in his achievement, but recognizing at last the irrevocable flaws in his initial conception, and already lusting for fresh creation.

It seemed to me that I, the spirit of so many worlds, the flower of so many ages, was the Church Cosmical, fit at last to be the bride of God. But instead I was blinded and seared and struck down by terrible light.

The expansion of the whole cosmos was but the shrinkage of all its physical units and of the wavelengths of light.

To say that the cosmos was expanding is equally to say that its members were contracting. The ultimate centers of power, each at first coincident with the punctual cosmos, themselves generated the cosmical space by their disengagement from each other.

The cosmos exploded, actualizing its potentiality of space and time. The centers of power, like fragments of a bursting bomb, were hurled apart. But each one retained in itself, as a memory and a longing, the single spirit of the whole; and each mirrored in itself aspects of all the others throughout all the cosmical space and time.

Discontent goaded the spirit into fresh creation.

As I contemplated the host of deities that rose to me like a smoke cloud from the many worlds, a new image, a new symbol of the infinite spirit, took shape in my mind. Though born of my own cosmical imagination, it was begotten by a greater than I.