Olga Tokarczuk Quotes

Today our problem lies—it seems—in the fact that we do not yet have ready narratives not only for the future, but even for a concrete now, for the ultra-rapid transformations of today’s world. We lack the language, we lack the points of view, the metaphors, the myths and new fables. Yet we do see frequent attempts to harness rusty, anachronistic narratives that cannot fit the future to imaginaries of the future, no doubt on the assumption that an old something is better than a new nothing, or trying in this way to deal with the limitations of our own horizons. In a word, we lack new ways of telling the story of the world.

I started to think more about just jumping from one point to the other. It’s like opening the windows on your computer, you have so many spaces. Or it’s like turning on your television–there’s another metaphor–you can jump from one channel to another. And that was the effect, the outcome of my thinking about the novel. Of course it was shocking for some readers. But I think that I was right.

We’re living in such a crazy world that we need to redefine what a novel is for us.

Language directs perspective and, as such, always carries a value judgment; it evaluates reality by choosing what will be described or discussed.

In a way, we need charismatic leaders. I mean, situation in Poland, so many peoples, 38 million is waiting for charismatic leader who will have a position to recognize what is good and what is bad and just to lead us somewhere to the better times. But for the other side, I don't know, really.

I’m afraid nobody nowadays has the courage to speak about what’s going to happen. Predictions never come true. We live in a world of fear of the future. Astrological thinking is based on thinking in cycles. It’s the same in economics. To my mind, the most interesting are the long cycles, which take a few centuries, revealing certain historical truths that aren’t seen when one is reading the world ad hoc through the media. Astrology is an ancient art invented a few thousand years ago, which miraculously continues. A human projects some order on the planetary setting, then their perception of the world is refracted and returned with totally different knowledge. This is fascinating. I had always been interested in astrology, but only had basic knowledge about it. the imagination. Sometimes I regret that contemporary people distance themselves so much from such old, beautiful ways for pondering reality.

In my opinion, the right to rebellion, to rage, is very important in any person’s psychological development. If you grow and live without the opportunity to stamp your foot, you die inside. This rebellion doesn’t need to take obvious forms like murder, but that remains a potential. The possibility of rebellion makes us free.

Reportage is the prince of Polish literature. Love for reportage is a request from the readers: Tell us how it is in the world, what the truth is, don’t make anything up. I’m very concerned about this resistance to literary imagination. People lose the ability to understand metaphors, transposition, all other stylistic literary devices used to date.

Art is a huge space for cognitive and conscious experiments, and it uses different sorts of efforts to describe reality. Tale, fairy tale, metaphor, parable are tools that literature has been using for centuries.

Every change in the world starts with some kind of idea, reflection or thought.

Nobody grows people for meat. It’s not about tormenting and harassing, it’s about treating animals like things... There are very strong mechanisms that make it possible to torture animals and to be so-called “decent” people, good neighbors, to never hit anyone, but to abuse animals or be part of it by consuming meat produced through industrial breeding. Today we know that there is no reason for people to eat meat.

There was no breakthrough, I’ve always been like this – I’ve always been interested in animals, their rights, vegetarianism. I know there are many people like that around me.

I wrote a lot of short stories. I’m still interested in this form and I collect ideas for stories on an ongoing basis, even though I’ve recently developed as a novelist. But my fascination with storytelling doesn’t end. I believe it is a highly sublime, very difficult literary form. Few writers can write a good short story. Sometimes I think it’s easier to write a novel than a short story with a good solid ending. I appreciate this form very much as a reader, too; I’ve loved collections, anthologies of stories since I was a child.

As I writer, I have courage to be—to ask questions and not to find an answer because then I should change my job and try to be a scientist. And this is the better freedom, to be a writer. Just ask and show strange things.

I know that there are many kinds of studying, called creative writing for instance and the people then trying to learn how to write, how to live in writing, because for me, writing is rather a psychological process, not just the process of writing on a paper, even not inventing a story, but something which is very deeply connected with our psychological side. So, I think that there is only one advice, to read, to read. I think read and read, and for every single one written page it is always one thousand pages which should be read.