With you, I, an American Negro, am deeply concerned about liberty of a man in Yugoslavia and about the rights of Jews in Europe. We care that a Chinese peasant shall have the right to till his land free from fear and want. But I ask you this-an honest question-why is there talk of Spain and Yugoslavia, of Palestine and Greece but no talk of Aiken County, South Carolina. Why so little of Isaac Woodard, a veteran whose eyes were gouged out by a policeman's club? Why do we sweep the burning fact of discrimination against 15,000,000 citizens under the carpets of America?
There are 15,000,000 Negro Americans who do not believe you, ladies and gentlemen, when you say, "justice." We have reasons to believe you mean justice for whites only.
American cartoonist (1912–1995)
Oliver Wendell Harrington (February 14, 1912 – November 2, 1995) was an American cartoonist and an outspoken advocate for civil rights who was opposed to racism and in the United States.
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Birth Name:
Oliver Wendell Harrington
Alternative Names:
Oliver Harrington
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Oliver W. Harrington
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Oliver W. "Ollie" Harrington
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I wasn't really interested in doing cartoons at that time, but I had one teacher, Miss McCoy, who used to call me and the other Black pupil in the school to the front of the room and present us to the class. She'd say. "These two, being Black, belong in a waste basket." Well, there was no way of defending oneself against that. So, I began to build up a kind of rage against her. There was no way that I could have gotten back at her because if I had, it would have been much more serious than it turned out. In the end, it turned out rather beneficial to me because I began doing cartoons of Miss McCoy in my notebooks.
I was raised in what is now the "jungle" of New York, the lower Bronx, and, indeed, at that time it was a very pleasant place. We played like all other kids. Where I lived was a very small enclave, a ghetto, but there were a number of ghettos. Most of the people there were immigrants; first generation Americans from Italy, Ireland, Poland, and there were a few French people. In a way, in a peculiar way, it was an integrated community composed of several separated ghettos. That was about the norm in those days. The idea of integration hadn't really gotten started, so I think that for anyone living today it would be a period that would be really difficult to understand...it was...in spite of some of the racism which I began to learn in school, a rather pleasant life.
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the colored folks rolled in the aisles, laughin' and laughin'. And Brother Bootsie was right in there laughin' and gigglin' too... but he could never figure out why. And one night in the Harlem Moon over a few gins with gingerales Langston Hughes told Bootsie it was very simple. He was just laughin' to keep from cryin'. ("How Bootsie Was Born," 1963)
Downtown they were still mournfully talking about the good, solid white folks who had walked into space from Wall Street's many windows. Uptown we were talking about Paul Robeson, who was singing songs which gripped some inner fibres in us that had been dozing. And he was saying things which widened black eyes and sharpened black ears, things which sounded elusively familiar. ("Our Beloved Pauli," 1971)
But don't think that Charlie's wall of lies hemming in the ghetto is impenetrable. People, especially young white people, in America and in Europe are aware of what's happening in the ghetto even if their fathers maintain an obstinate ignorance. All over Europe I've seen young people who've studied the methods of the Black Liberation movement, applying those same methods to the job of forcing a bit of humanity into their profit-crazed and economically teetering countries. Of course it's got its amusing sides too and very often one is forced to rush somewhere for a drink after he's seen a group of the blond German youths with hair frizzled and worn in Afros. The parents of these kids have all picked the portrait of the President of the United States as a symbol of what was good in America...But I've been in no part of Europe where there wasn't the picture of a good American--and it was always Angela Davis!
Charlie has not been called a "color crazy summbitch" for nothing. Ask any surviving American Indian about his relationship with the Great White Father and you've got a real Freudian mess on your hands. Ask any Brown Puerto Rican-American or Yellow Nisei-American if he's ever gotten a fair shake from the Great Society and you can get cut. Don't even bother to bug a soul brother with such inanities!