German historian and philosopher (1880-1936)
Oswald Arnold Gottfried Spengler (29 May 1880 – 8 May 1936) was a German historian, philosopher and political writer, most famous for his Der Untergang des Abendlandes (The Decline of the West), the first volume of which was published in the summer of 1918 and by 1926 had gone through thirty printings.
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Native Name:
Oswald Arnold Gottfried Spengler
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Oswald Gottfried Spengler
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The interlaced borders of the "Late-Roman" mosaic pavements and sarcophagus-edges, and even geometrical plane-patterns are introduced, and finally, throughout the Persian-Anatolian world, mobility and bizarrerie culminate in the Arabesque. This is the genuine Magian motive—anti-plastic to the last degree, hostile to the pictorial and to the bodily alike. Itself bodiless, it disembodies the object over which its endless richness of web is drawn.
Work was for him a commodity, not an obligation. That is the core of his political economics. His ethics were the ethics of big business. Not that business is unethical; but we can read between the lines his opinion that the laborer is a fool not to engage in it. And laborers have understood him. The battle for higher wages became a kind of investment speculation: the worker was now a merchant selling his product, work. The trick about Marx's famous "surplus value" thesis is that it was considered as spoils to be carried off by the successful merchant from the opponent's stores. It was not to be presented to him for nothing. Class egoism thus became a universal principle. The laborer not only wanted to do business, he wanted to corner the whole market. The true Marxist is hostile to the state, and for the very same reason as the Whig: it hinders him in the ruthless exercise of his private business interests. Marxism is the capitalism of the working class.
The concepts "bourgeoisie" and "proletariat" reflect the typically English preference for business rather than manual work. (But of course not over mental work. Just as the English intellectual was by choice either a Tory or a Whig, he has had to choose between the two new economic parties. Being a "gentleman", he has naturally opted for big business.) The former is a blessing, the latter a calamity; the one is noble, the other base. But with their hatred the misfortunate ones say, "Business is the evil occupation, manual labor the good." This is the explanation for the mental attitude which gave rise to Marx's social criticism and which has made him so catastrophic for true socialism. He knew the nature of work only from the English viewpoint, as a means of getting rich, as a means lacking in all moral depth. Only success and money, the visible and tangible signs of God’s grace, were of ethical import. The Englishman has no inkling of the dignity of hard work. For him, work is a debasing thing, an ugly necessity. Pity the poor soul who has nothing but work, who owns nothing without more and more work, but who above all will never have wealth in the future! Had Marx understood the meaning of Prussian work, of activity for its own sake, of service in the name of the totality, for "all together" and not for oneself, of duty that ennobles regardless of the kind of work performed—had he been able to comprehend these things, his Manifesto would probably never have been written.
The press to-day is an army with carefully organized arms and branches, with journalists as officers, and readers as soldiers. But here, as in every army, the soldier obeys blindly, and war-aims and operation-plans change without his knowledge. The reader neither knows, nor is allowed to know, the purposes for which he is used, nor even the role that he is to play. A more appalling caricature of freedom of thought cannot be imagined. Formerly a man did not dare to think freely. Now he dares, but cannot; his will to think is only a willingness to think to order, and this is what he feels as his liberty.
The philosophy of this book I owe to the philosophy of Goethe, which is practically unknown to-day, and also (but in a far less degree) to that of Nietzsche. The position of Goethe in West-European metaphysics is still not understood in the least; when philosophy is being discussed he is not even named. For unfortunately he did not set down his doctrines in a rigid system, and so the systematic philosophy has overlooked him. Nevertheless he was a philosopher. His place vis-à-vis Kant is the same as that of Plato—who similarly eludes the would-be-systematizer—vis-à-vis Aristotle. Plato and Goethe stand for the philosophy of Becoming, Aristotle and Kant the philosophy of Being. Here we have intuition opposed to analysis. Something that it is practically impossible to convey by the methods of reason is found in individual sayings and poems of Goethe, e.g., in the Orphische Urworte, and stanzas like "Wenn im Unendlichen" and "Sagt es Niemand," which must be regarded as the expression of a perfectly definite metaphysical doctrine. I would not have one single word changed in this: "The Godhead is effective in the living and not in the dead, in the becoming and the changing, not in the become and the set-fast; and therefore, similarly, the reason (Vernunft) is concerned only to strive towards the divine through the becoming and the living, and the understanding (Verstand) only to make use of the become and the set-fast" (to Eckermann). This sentence comprises my entire philosophy.
Marx wished to deprive capital of the right to private profit, but the only thing he could think of as a substitute was the worker's right to private profit. That is unsocialistic, but it is typically English. Marx became an Englishman on one other score as well: in his mind the state does not exist. He thought statelessly, in terms of "society". Like parliamentary practice in England, his economic world functions as a two-party system with nothing above the parties. Within his scheme there can be only combat and no arbitration, only victory or defeat, only the dictatorship of one of the two parties. The Communist Manifesto calls for a dictatorship of the "good" proletarian party over the "evil" capitalist party. Marx saw no alternatives.
If by "democracy" we mean the form which the Third Estate as such wishes to impart to public life as a whole, it must be concluded that democracy and plutocracy are the same thing under the two aspects of wish and actuality, theory and practice, knowing and doing. It is the tragic comedy of the world‑improvers' and freedom‑teachers' desperate fight against money that they are ipso facto assisting money to be effective. Respect for the big number—expressed in the principles of equality for all, natural rights, and universal suffrage—is just as much a class‑ideal of the unclassed as freedom of public opinion (and more particularly freedom of the press) is so. These are ideals, but in actuality the freedom of public opinion involves the preparation of public opinion, which costs money; and the freedom of the press brings with it the question of possession of the press, which again is a matter of money; and with the franchise comes electioneering, in which he who pays the piper calls the tune. The representatives of the ideas look at one side only, while the representatives of money operate with the other. The concepts of Liberalism and Socialism are set in effective motion only by money. … the Jacobins had destroyed the old obligations of the blood and so had emancipated money; now it stepped forward as lord of the land. There is no proletarian, not even a Communist movement, that has not operated in the interests of money, in the directions indicated by money, and for the time being permitted by money—and that without the idealists among its leaders having the slightest suspicion of the fact. The great movement which makes use of the catchwords of Marx has not delivered the entrepreneur into the power of the worker, but both into that of the Bourse.
The stone statue and the scientific system deny life. Mathematical number, the formal principle of an extension-world of which the phenomenal existence is only the derivative and servant of waking human consciousness, bears the hall-mark of causal necessity and so is linked with death as chronological number is with becoming, with life, with the necessity of destiny. This connexion of strict mathematical form with the end of organic being, with the phenomenon of its organic remainder the corpse, we shall see more and more clearly to be the origin of all great art. We have already noticed the development of early ornament on funerary equipments and receptacles. Numbers are symhols of the mortal. Stiff forms are the negation of life, formulas and laws spread rigidity over the face of nature, numbers make dead …