Because you cannot walk with the holy,
If you're just a halfway decent man.
But I don't pretend that I'm a mastermind
With a genius marketing plan. I'm trying to tap into some wisdom,
Even a little drop would do.
I want to rid my heart of envy
And cleanse my soul of rage
Before I'm through.

No I would not give you false hope
On this strange and mournful day
But the mother and child reunion
Is only a motion away, Oh, little darling of mine
I can't for the life of me
Remember a sadder day
I know they say let it be
But it just don't work out that way...

How can you live in the Northeast?
How can you live in the South?
How can you build on the banks of a river
When the flood water pours from the mouth? How can you be a Christian?
How can you be a Jew?
How can you be a Muslim, a Buddhist, a Hindu? How can you?

Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear... Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.

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[Rock 'n' roll] really is not given to thinking — and resents thinking. Which I believe is the big error of rock 'n' roll. It's always aspired to be the music of the working class. And it's never been looked upon as a vocabulary for art and artistic thinking... We have to be able to expand the vocabulary to express more complex thoughts.

I write from instinct, from inexplicable sparkle. I don't know why I'm writing what I'm writing. Usually, I sit and I let my hands wander on my guitar. And I sing anything. I play anything. And I wait till I come across a pleasing accident. Then I start to develop it. Once you take a piece of musical information, there are certain implications that it automatically contains — the implication of that phrase elongated, contracted, or inverted or in another time signature. So you start with an impulse and go to what your ear likes.